Differences
This shows you the differences between two versions of the page.
| Both sides previous revision Previous revision Next revision | Previous revisionLast revisionBoth sides next revision | ||
| dust_and_shadow:aesthetic_naturalism [2019-08-29 16:14] – maja | dust_and_shadow:aesthetic_naturalism [2019-08-30 09:09] – maja | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| - | |||
| - | < | ||
| - | Exercise:\\ | ||
| - | mountain meets mountain \\ | ||
| - | one was made by human, | ||
| - | the other by something older. \\ | ||
| - | the meeting is brokered by a human.\\ | ||
| - | they meet at a neutral boundary \\ | ||
| - | (an altered body of water)\\ | ||
| - | wait. \\ | ||
| - | |||
| - | —Erika Hanson | ||
| - | </ | ||
| - | |||
| - | |||
| ==== Nature' | ==== Nature' | ||
| - | Excerpts from //" | + | Excerpts from //[[https:// |
| ---- | ---- | ||
| Line 30: | Line 15: | ||
| Both the artist and the saint are fully aware of the duality of their lives, that they live in a public world that cannot, in principle, understand the other and deeper world that claims their true allegiance. They are split and know it. Part of the force of their lives is that they must struggle heroically to heal this split through the means available to their psychological type. For the artist it is, of course, through art works that are publically available for appraisal and assimilation. For the saint, on the other hand, it is through a kind of higher action that is actually a non-action, a kind of Gelassenheit, | Both the artist and the saint are fully aware of the duality of their lives, that they live in a public world that cannot, in principle, understand the other and deeper world that claims their true allegiance. They are split and know it. Part of the force of their lives is that they must struggle heroically to heal this split through the means available to their psychological type. For the artist it is, of course, through art works that are publically available for appraisal and assimilation. For the saint, on the other hand, it is through a kind of higher action that is actually a non-action, a kind of Gelassenheit, | ||
| + | |||
| + | ---- | ||
| + | |||
| + | {{ : | ||
| + | —Erika Hanson | ||
| ---- | ---- | ||
| Line 46: | Line 36: | ||
| —Nils Bubandt, Haunted Geologies, in Arts of Living on a Damaged Planet | —Nils Bubandt, Haunted Geologies, in Arts of Living on a Damaged Planet | ||
| </ | </ | ||
| + | |||
| + | ---- | ||
| + | |||
| + | {{> | ||
| ---- | ---- | ||
| Line 62: | Line 56: | ||
| —Anthony Paul Smith, A Non-Philosophical Theory of Nature | —Anthony Paul Smith, A Non-Philosophical Theory of Nature | ||
| </ | </ | ||
| + | |||
| + | ---- | ||
| + | |||
| + | {{> | ||
| ---- | ---- | ||
maja