Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision
Previous revision
dust_and_shadow:experiments [2019-04-29 16:07] majadust_and_shadow:experiments [2019-09-28 04:09] (current) 98.172.99.4
Line 1: Line 1:
  
-==== Experiments ====+===== Experiments =====
  
-A collection of experiments as embodied manifestations of specific propositions:+A collection of experiments as embodied manifestations of Dust & Shadow propositions.
  
-<blockquote>[T]he importance of propositions is not limited to matters of truth and falsity. Language is used to evoke attention to features of the world that another person may be missing. Perhaps someone wants me to look up at a branch in a nearby tree. She has propositional feelings of a rare bird being there. Her interest may be in my entertaining the same proposition, but the most effective method may be just to point with a certain expression on her face, or to say “look quick” with some excitement. These gestures may lead to the result better than the sober statement that there is a rare bird there. Giorgias Romero </blockquote>+<blockquote>[T]he importance of propositions is not limited to matters of truth and falsity. Language is used to evoke attention to features of the world that another person may be missing. Perhaps someone wants me to look up at a branch in a nearby tree. She has propositional feelings of a rare bird being there. Her interest may be in my entertaining the same proposition, but the most effective method may be just to point with a certain expression on her face, or to say “look quick” with some excitement. These gestures may lead to the result better than the sober statement that there is a rare bird there.  
 +<cite>Giorgias Romero</cite> </blockquote>
  
 +----
  
-{{>http://www.flickr.com/photos/foam/39069831191/in/album-72157681429258454/}}\\+{{>http://www.flickr.com/photos/foam/39069831191/in/album-72157681429258454/ ?maxwidth=1000}}\\
  
-=== Desert Attunement ===+---- 
 + 
 +==== Desert Attunement ====
  
 Field trip for locals and travellers to experientially attune to the desert environment. Through "durational desert abiding" we'll explore the embodied sense of layered time, observing & listening, material wonder & wander, solitude & (in)difference. (March 7-12 2018) Field trip for locals and travellers to experientially attune to the desert environment. Through "durational desert abiding" we'll explore the embodied sense of layered time, observing & listening, material wonder & wander, solitude & (in)difference. (March 7-12 2018)
Line 16: Line 20:
  
 Proposition:  We need to spend time in the desert to experientially attune to the environment. Communing rather than examining. We can attune to the desert without romanticising wilderness or drawing a hard line between the desert and urban civilisation. We tread lightly and see the desert with new eyes.  Proposition:  We need to spend time in the desert to experientially attune to the environment. Communing rather than examining. We can attune to the desert without romanticising wilderness or drawing a hard line between the desert and urban civilisation. We tread lightly and see the desert with new eyes. 
- 
  
 <blockquote>... do not burn yourselves out. Be as I am - a reluctant enthusiast….a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards. <blockquote>... do not burn yourselves out. Be as I am - a reluctant enthusiast….a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.
  
-... I dream of a hard and brutal mysticism in which the self merges with a non-human world and yet somehow survives still intact, individual, separate. Paradox and bedrock. – Edward Abbey </blockquote> 
  
-=== Thalient Lab ===+<cite>Edward Abbey</cite> </blockquote> 
 + 
 +---- 
 + 
 +{{>http://www.flickr.com/photos/foam/34976695796/ ?maxwidth=1000}}\\ 
 + 
 +---- 
 + 
 +==== Thalient Lab ====
  
 A field experiment formed around the question "what would a thalient lab in the desert look like?" (March 12-23 2018) A field experiment formed around the question "what would a thalient lab in the desert look like?" (March 12-23 2018)
  
-Proposition: There are ways and means to communicate with entities we share the planet with. At all times there are other beings listening. We can hear each other if we pay attention. One of the means to establish contact could be through technological mediation +Proposition: There are ways and means to communicate with entities we share the planet with. At all times there are other beings listening. We can hear each other if we pay attention. One of the means to establish contact could be through technological mediation.
  
-{{>http://www.flickr.com/photos/foam/34853353022/in/album-72157681429258454/}}\\+<blockquoteThalience is an attempt to give the physical world itself a voice so that rather than us asking what reality is, reality itself can tell us. It is the discipline that chooses among multiple successful scientific models based on which ones best satisfy our human, aesthetic/moral/personal needs. In other words, given two or more equally valid models of the universe, thalience is the art of choosing the one with the most human face. It is the recovery of the natural in our understanding of the Natural. (...) thalience would use objective truth as an artistic medium and merge subjectivity and objectivity in a creative activity whose purpose is the re-sanctification of the natural world. To believe in an uplifting and satisfying vision of your place in the universe, and to know that this vision is true (or as true as anything can be) would be sublime. Thalience would be an activity worthy of post-scientific humanity, or our own biological or post-biological successors. 
 +<cite>[[http://www.kschroeder.com/my-books/ventus/thalience|Karl Schroeder]]</cite></blockquote>
  
 +----
  
-<blockquoteThalience is an attempt to give the physical world itself a voice so that rather than us asking what reality is, reality itself can tell us. It is the discipline that chooses among multiple successful scientific models based on which ones best satisfy our human, aesthetic/moral/personal needs. In other words, given two or more equally valid models of the universe, thalience is the art of choosing the one with the most human face. It is the recovery of the natural in our understanding of the Natural. (...) thalience would use objective truth as an artistic medium and merge subjectivity and objectivity in a creative activity whose purpose is the re-sanctification of the natural world. To believe in an uplifting and satisfying vision of your place in the universe, and to know that this vision is true (or as true as anything can be) would be sublime. Thalience would be an activity worthy of post-scientific humanity, or our own biological or post-biological successors. -[[http://www.kschroeder.com/my-books/ventus/thalience|Karl Schroeder]]</blockquote>+{{>http://www.flickr.com/photos/foam/34853353022/in/album-72157681429258454/ ?maxwidth=1000}}\\
  
 +----
  
-=== Attunement Walk ===+==== Soundwalk ====
  
-[[audio walk|Dust & Shadow (audio)walk]] celebrating the arrival of desert spring in a panpsychic tradition. (March 24 2018)+[[audio walk|Dust & Shadow (sound)walk]] celebrates the arrival of desert spring in a panpsychic tradition. (March 24 2018)
  
 Question: What arts become possible if we widen the 'sentience spectrum' and emphasize experience and interaction with diverse beings?  Question: What arts become possible if we widen the 'sentience spectrum' and emphasize experience and interaction with diverse beings? 
Line 44: Line 57:
 <blockquote> Solvitur ambulando... </blockquote> <blockquote> Solvitur ambulando... </blockquote>
  
-{{:dust_and_shadow:d_s_walk.jpg?600 |}}+----
  
-The participants are invited to attune, to experience diverse forms of listening, and to practice a geomancy for the age of climate chaos. Walking in silence through the Sonoran dust in the shadow of civilisation, the participants may begin to hear the murmur of matter, uncover desert refugia amidst urban life, and forge new connections with the unexpected.+{{ :dust_and_shadow:dust-and-shadow-gps-track.jpg?1000 |}}
  
 +----
  
-Date: Saturday, March 24, 2018\\ 
-Time: 6:00pm-8:00pm (golden hour 6:00, sunset 6:40-6:45, blue hour 6:58, dusk 7:08, night 8:06) \\ 
  
-Location: Moeur Park \\ +==== Visual Proposition ====
-Meeting locale: [[https://goo.gl/maps/oA1hYbeNuR92|North Shore Volley Ball courts]], Tempe Town Lake \\ +
-Park on E Lake View Drive under the 202 highway overpass. The walk will begin under the overpass. \\ +
-GPS coordinates 33.435206,-111.941293 \\+
  
-{{>http://www.flickr.com/photos/foam/39070110461/in/album-72157681429258454/}}\\+<blockquote>This film is a proposition in the full sense that Alfred North Whitehead intended this termA proposition, for Whitehead, is neither true nor false in itselfIt is a lure for feeling the world that “might be.” A proposition is what places a concrescing subject (an occasion of experience) in relation to a potential predicative pattern. It is the potential togetherness of subject and predicate that characterizes a proposition and not its actual exemplification. But propositions do not hang in the thin air of abstraction; they always emerge from somewhere and are entertained by an actual subject within a particular milieu. The proposition’s relevance and importance (or its “truth”—in William James’ sense) is contingent upon the world that it finds itself within. This experimental film fabricates a propositional space in which subjects (Phoenix, urban desert, etc.) are drawn together with predicative patterns (shadow Bellmont, pharmacological uncertainty, communicational indeterminacy, etc.) to lure us into certain modes of attunement. Since the world we inhabit may not yet be ready to entertain such a proposition, we must actively forge the conditions under which it might begin to. 
  
-=== Visual experiment ===+<cite>Adam Nocek</cite> </blockquote>
  
-<blockquote>This film is a proposition in the full sense that Alfred North Whitehead intended this term. A proposition, for Whitehead, is neither true nor false in itself. It is a lure for feeling the world that “might be.” A proposition is what places a concrescing subject (an occasion of experience) in relation to a potential predicative pattern. It is the potential togetherness of subject and predicate that characterizes a proposition and not its actual exemplification. But propositions do not hang in the thin air of abstraction; they always emerge from somewhere and are entertained by an actual subject within a particular milieu. The proposition’s relevance and importance (or its “truth”—in William James’ sense) is contingent upon the world that it finds itself within. This experimental film fabricates a propositional space in which subjects (Phoenix, urban desert, etc.) are drawn together with predicative patterns (shadow Bellmont, pharmacological uncertainty, communicational indeterminacy, etc.) to lure us into certain modes of attunementSince the world we inhabit may not yet be ready to entertain such a proposition, we must actively forge the conditions under which it might begin to. -Adam Nocek </blockquote>+The ideas for the film have been translated into an [[video|audio-visual]] lecture performance for the launch of the Desert Humantities Institute in the fall of 2019.
  
-The ideas for the film have been translated into an audio-visual lecture performance for the launch of the Desert Humantities Institute in the fall of 2019.+----
  
 +{{ :dust_and_shadow:screenshot_2019-08-30_at_11.48.47.png?1000 |}}
  
-=== Seasonal feast ===+---- 
 + 
 +==== Proposition cards ==== 
 + 
 +Question: How to translate Whitehead's proposition into a generative worldbuilding toolkit? 
 + 
 +Proposition: A card game. A workshop to design a deck of cards using the [[futuring|Shadow Belmont scenario]] as a starting point. 
 + 
 +FoAM hosts a workshop to design a deck of cards that can be used to create different propositions - in workshop situations, in classrooms, futures sessions, policy labs, etc.  
 + 
 +When: September 26 2019 \\ 
 +Where: CPT\\ 
 + 
 +Inspirations: [[https://futuryst.blogspot.com/2015/10/the-thing-from-future.html|The Thing From The Future]], [[http://superflux.in/index.php/and-now-for-something-completely-different/#|Instant Archetypes]] (pictured).  
 + 
 + 
 +---- 
 + 
 +{{>http://www.flickr.com/photos/foam/47297686712 ?maxwidth=1000}} 
 + 
 +---- 
 + 
 + 
 +==== Seasonal feast ====
  
 The seasonal feast for the arrival of desert spring in a parallel shade world, Shadow Belmont. (March 19 2018) The seasonal feast for the arrival of desert spring in a parallel shade world, Shadow Belmont. (March 19 2018)
Line 77: Line 110:
  
 In the dry and hot Sonoran desert, spring is a time of replenishment. A time to celebrate blossoming of plants and ideas alike. Days are slowly warming up, heralding the season of flowering cactus and renewed growth. The spring equinox - when light and darkness, the mundane and the sacred are (at least cosmically) equipoised - invokes a sense of balance, alignment and attunement. Time to celebrate the connections with all beings we share this season with... In the dry and hot Sonoran desert, spring is a time of replenishment. A time to celebrate blossoming of plants and ideas alike. Days are slowly warming up, heralding the season of flowering cactus and renewed growth. The spring equinox - when light and darkness, the mundane and the sacred are (at least cosmically) equipoised - invokes a sense of balance, alignment and attunement. Time to celebrate the connections with all beings we share this season with...
 +
 +----
 +
 +{{>http://www.flickr.com/photos/foam/40351686344 ?maxwidth=1000}}\\
 +
 +----
  
  
Line 137: Line 176:
 (The full-scale of this experiment is beyond the scope of this project. It could be produced as an actual feast or a speculative open air museum with stories and artifacts suggesting alternative myths, lifestyles and ecosystems) (The full-scale of this experiment is beyond the scope of this project. It could be produced as an actual feast or a speculative open air museum with stories and artifacts suggesting alternative myths, lifestyles and ecosystems)
  
-{{>http://www.flickr.com/photos/foam/24209031777/in/album-72157681429258454/}}\\+---- 
 + 
 +{{>http://www.flickr.com/photos/foam/41018375662?maxwidth=1000}}\\
  
  • dust_and_shadow/experiments.1556554077.txt.gz
  • Last modified: 2019-04-29 16:07
  • by maja