Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision
Previous revision
dust_and_shadow:fieldnotes_2 [2019-09-10 08:52] majadust_and_shadow:fieldnotes_2 [2019-09-10 08:55] (current) maja
Line 113: Line 113:
 <cite>Anna Tsing, The Mushroom at the End of the World</cite></blockquote> <cite>Anna Tsing, The Mushroom at the End of the World</cite></blockquote>
  
-{{>http://www.flickr.com/photos/foam/26189597267 ?maxwidth=1000}}\\+{{>http://www.flickr.com/photos/foam/26978592178/ ?maxwidth=1000}}\\
  
 <blockquote>I am not interested in reconciliation or restoration, but I am deeply committed to the more modest possibilities of partial [multispecies] recuperation and getting on together. Call that staying with the trouble, (...) with less denial and more experimental justice. <blockquote>I am not interested in reconciliation or restoration, but I am deeply committed to the more modest possibilities of partial [multispecies] recuperation and getting on together. Call that staying with the trouble, (...) with less denial and more experimental justice.
Line 130: Line 130:
 <blockquote>… machines themselves – rather than destroying aura or hastening the disenchantment of the world – were granted an uncanny power to animate the inanimate, to emancipate and spiritualise “vibrant matter.” The powers of technology triggered aspirations toward an intersubjectivity that would embrace more than just humans; they lent support to the view that all elements of the world would participate in a single, living, intelligent, and perhaps divine substance. (...) Rethinking technology meant rethinking the basis of the social bond and the order of the universe and, potentially, living very different lives. Updated to the present, mechanical romanticism suggests that even if solutions must be small and local, they require a conceptual and aesthetic frame that is deep and wide."  <blockquote>… machines themselves – rather than destroying aura or hastening the disenchantment of the world – were granted an uncanny power to animate the inanimate, to emancipate and spiritualise “vibrant matter.” The powers of technology triggered aspirations toward an intersubjectivity that would embrace more than just humans; they lent support to the view that all elements of the world would participate in a single, living, intelligent, and perhaps divine substance. (...) Rethinking technology meant rethinking the basis of the social bond and the order of the universe and, potentially, living very different lives. Updated to the present, mechanical romanticism suggests that even if solutions must be small and local, they require a conceptual and aesthetic frame that is deep and wide." 
 <cite>John Tresch, Romantic Machine</cite></blockquote> <cite>John Tresch, Romantic Machine</cite></blockquote>
- 
----- 
- 
-{{>http://www.flickr.com/photos/foam/39069831191/ ?maxwidth=1000}}\\ 
- 
----- 
  
  
Line 168: Line 162:
 ---- ----
  
-{{>http://www.flickr.com/photos/foam/25203384728 ?maxwidth=800}}\\+{{>http://www.flickr.com/photos/foam/26189597267 ?maxwidth=1000}}\\
  
 ---- ----
  • dust_and_shadow/fieldnotes_2.1568105551.txt.gz
  • Last modified: 2019-09-10 08:52
  • by maja