Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision | ||
dust_and_shadow:fieldtrip_2 [2018-01-24 07:06] – maja | dust_and_shadow:fieldtrip_2 [2018-01-25 00:40] – maja | ||
---|---|---|---|
Line 7: | Line 7: | ||
This field trip was an immersion in the academic life in Phoenix. Our primary modes of exploring the field were structured and unstructured conversations, | This field trip was an immersion in the academic life in Phoenix. Our primary modes of exploring the field were structured and unstructured conversations, | ||
+ | |||
+ | Further notes on: [[futuring]] | [[propositions]] | [[resonances]] | ||
Guests: Nik Gaffney and Maja Kuzmanovic (FoAM)\\ | Guests: Nik Gaffney and Maja Kuzmanovic (FoAM)\\ | ||
Hosts: Ron Broglio, Adam Nocek, Stacey Moran, Sha Xin Wei (ASU)\\ | Hosts: Ron Broglio, Adam Nocek, Stacey Moran, Sha Xin Wei (ASU)\\ | ||
- | {{> | + | |
+ | {{> | ||
+ | (& Nik Gaffney behind the camera) | ||
- | === guiding | + | === D& |
__**Desertification**__ | __**Desertification**__ | ||
- | * Everything shrivels up and erodes into dust: desertification related to ecology and culture (intergenerational memory) | + | * Everything shrivels up and erodes into dust; desertification related to ecology and culture (intergenerational memory) |
* Humans come and go | * Humans come and go | ||
* (Engineering) mistakes cause large scale ecological transformations | * (Engineering) mistakes cause large scale ecological transformations | ||
Line 55: | Line 59: | ||
=== core questions === | === core questions === | ||
- | * What are the critical uncertainties in the region? What/how to extrapolate local conditions to other deserts and environments on their way to become deserts? | + | |
+ | * What/how to extrapolate local conditions to other deserts and environments on their way to become deserts? | ||
- | * What does a thalient laboratory in the desert look like? | + | |
* How to translate animist attitudes into worldviews compatible with contemporary techno-materialist societies? | * How to translate animist attitudes into worldviews compatible with contemporary techno-materialist societies? | ||
* How to (re)animate pre-modern sensibilities without dualisms of light/dark, good/evil, love/power? | * How to (re)animate pre-modern sensibilities without dualisms of light/dark, good/evil, love/power? | ||
Line 64: | Line 69: | ||
* How do we speak of relations as well as things? | * How do we speak of relations as well as things? | ||
- | * Why attempt | + | * How to turn zombie/ |
* What would a banishing ritual for haunted utopias be like? | * What would a banishing ritual for haunted utopias be like? | ||
- | * How to turn zombie utopias into ' | + | * Why attempt |
+ | * What would a pre-enactment for futures of Phoenix look like? | ||
+ | |||
+ | {{> | ||
=== hypotheses === | === hypotheses === | ||
Line 85: | Line 93: | ||
* With can uncover sacred refugia and wild sanctuaries through our work | * With can uncover sacred refugia and wild sanctuaries through our work | ||
- | * The desert invites unencumbered experimentation, | + | |
* It is possible to thrive in uncertainty | * It is possible to thrive in uncertainty | ||
* Objectives obscure progress | * Objectives obscure progress | ||
Line 102: | Line 110: | ||
* fieldwork | * fieldwork | ||
* inquiry (critical, embodied...) | * inquiry (critical, embodied...) | ||
- | * experiential futures and speculative design | + | * experiential futures and speculative design |
* action research | * action research | ||
* contemporary rituals and peak experiences | * contemporary rituals and peak experiences | ||
Line 108: | Line 116: | ||
* writing | * writing | ||
- | + | {{>http://www.flickr.com/photos/foam/35016379345/in/album-72157681429258454/}}\\ | |
- | + | ||
- | === reading, seeing, experiencing === | + | |
- | + | ||
- | + | ||
- | {{ : | + | |
- | + | ||
- | + | ||
- | * Mythologies - Roland Barthes | + | |
- | * [[: | + | |
- | * Book of Sand - Italo Calvino | + | |
- | * Autobiography of Red - Anne Carson | + | |
- | * The Enchantment of Modern Life - Jane Bennett | + | |
- | * [[: | + | |
- | * Dust studies - Jay Owens | + | |
- | * Minutes to Midnight - Trent Parke | + | |
- | * [[http:// | + | |
- | * [[http:// | + | |
- | * Anthropology in the time of the Anthropocene - Bruno Latour | + | |
- | * [[https://www.youtube.com/watch? | + | |
- | * City and the City - China Mieville | + | |
- | * Perdido Street Station - China Mieville | + | |
- | * [[: | + | |
- | * [[: | + | |
- | * Customs in common - EP Thompson | + | |
- | * [[: | + | |
- | * Catriona Mortimer-Sandilands - The good-natured feminist: eco-feminism and the quest for democracy | + | |
- | * Trinh Minh-Ha: Writing post-colonialism and feminism | + | |
- | * [[: | + | |
- | * Xenogenesis - Octavia Butler | + | |
- | * [[: | + | |
- | * [[http://www.freehouse.nl|Freehouse Rotterdam]] | + | |
- | * Too like the lightning - Ada Palmer | + | |
- | * The Laundry series - Charles Stross | + | |
- | * [[: | + | |
- | * [[: | + | |
- | * The word for world is forest - Ursula Leguin | + | |
- | * How forests think - Eduardo Kohn | + | |
- | * [[: | + | |
- | * Ecology of Mind - Gregory Bateson | + | |
- | * [[http://www.architectural-body.com/? | + | |
- | * [[http:// | + | |
- | * [[http:// | + | |
- | * [[http:// | + | |
- | * [[https:// | + | |
- | * [[https:// | + | |
- | * Crystal Radio | + | |
- | * 100 year roulette | + | |
- | * C14 Clocks | + | |
- | * [[https:// | + | |
- | * [[: | + | |
- | * Geology of media - Jussi Parikka | + | |
- | * Finite media - Sean Cubitt | + | |
- | * Panpsychism (& Noumenautics - [[http:// | + | |
- | * [[http:// | + | |
- | * [[: | + | |
- | * [[https:// | + | |
- | * Desert Solitaire - Edward Abby | + | |
- | * [[https:// | + | |
- | * [[https:// | + | |
- | * [[http:// | + | |
- | * The Imperative - Alphonso Lingis | + | |
- | * [[http:// | + | |
- | * A Practical Guide to Unconscious Reasoning - Marcus Coates | + | |
- | * Point Omega - Don DeLillo | + | |
- | * Vilém Flusser - Into the Universe of Technical Images | + | |
- | * Ancient Landscapes of the Colorado Plateau - Blakey & Ranney | + | |
- | * Roadside Geology of Arizona - Halka Chronic | + | |
- | * Q Is for Quicken - Sha Xin Wei | + | |
===stray photons=== | ===stray photons=== | ||
- | {{> | + | {{> |
- | + | ||
- | {{> | + | |
{{> | {{> | ||
- | |||
- | {{> | ||
- | |||
- | {{> | ||
- | |||
- | {{> | ||
- | |||
- | {{> | ||
{{> | {{> | ||
- | |||
- | {{> | ||
- | |||
- | {{> | ||
{{> | {{> | ||
- | {{> | ||
- | ===people=== | ||
- | |||
- | {{> | ||
- | (with Nik Gaffney behind the camera) | ||