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experience_inflatables [2014-09-26 20:51] – [Inflatables that relate to the human body where beforehand one doesn't know exactly what will happen when they start to mingle] cocky | experience_inflatables [2014-09-26 20:58] – [Inflatables that relate to the human body where beforehand one doesn't know exactly what will happen when they start to mingle] cocky | ||
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- | {{nova15.jpgwww.zorb.cz: | + | {{nova15.jpgwww.zorb.cz: |
Movie Movie: Theo Botschuijver, | Movie Movie: Theo Botschuijver, | ||
While the inflatable structure was being gradually inflated, film, slides and liquid-light show effects were projected onto its surface. Its fully inflated shape was a 7m diameter and 10m high cone with an outer transparent membrane and an inner white surface. The projected imagery first impinged lightly on the outer envelope and then appeared on the semi-inflated inner surface; in the intermediate space various material actions were performed.\\ | While the inflatable structure was being gradually inflated, film, slides and liquid-light show effects were projected onto its surface. Its fully inflated shape was a 7m diameter and 10m high cone with an outer transparent membrane and an inner white surface. The projected imagery first impinged lightly on the outer envelope and then appeared on the semi-inflated inner surface; in the intermediate space various material actions were performed.\\ | ||
The intention of this work was to transmute the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation. The multiple projection surfaces allowed the images to materialise in many layers, and of the audience (many of whom spontaneously took off all their clothes) became part of the cinematic spectacle. In this way the immersive space of cinematic fiction included the literal and interactive immersion of the viewers who modulating the changing shapes of the pneumatic architecture which in turn modulated the shifting deformations of the projected imagery.With speakers placed both outside and inside the structure, its acoustic environment was also modulated in this way.\\ | The intention of this work was to transmute the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation. The multiple projection surfaces allowed the images to materialise in many layers, and of the audience (many of whom spontaneously took off all their clothes) became part of the cinematic spectacle. In this way the immersive space of cinematic fiction included the literal and interactive immersion of the viewers who modulating the changing shapes of the pneumatic architecture which in turn modulated the shifting deformations of the projected imagery.With speakers placed both outside and inside the structure, its acoustic environment was also modulated in this way.\\ | ||
source: http:// | source: http:// | ||
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+ | -Airground Mattress: 1968 Jeffrey Shaw & Theo Boschuiver, | ||
+ | source: http:// | ||
+ | -Waterquake: | ||
+ | In Waterquake long lengths of tubing were dropped into a canal and then slowly inflated with air and smoke. The tubing emerged from the water, filling the canal and then spilling over into the surrounding streets. The spectators pulled and knotted these tubes into various forms - when they broke holes in the plastic skin the smoke inside was released.\\ | ||
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Spherical Mirror (model) | © | Spherical Mirror (model) | © | ||
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- | -Airground Mattress: 1968 Jeffrey Shaw & Theo Boschuiver, | + | |
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- | -Waterquake: | + | |
- | In Waterquake long lengths of tubing were dropped into a canal and then slowly inflated with air and smoke. The tubing emerged from the water, filling the canal and then spilling over into the surrounding streets. The spectators pulled and knotted these tubes into various forms - when they broke holes in the plastic skin the smoke inside was released.\\ | + | |
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Ant Farm. " | Ant Farm. " | ||
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Wayne Wilson, http:// | Wayne Wilson, http:// | ||
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Mind Expander: Haus-Rucker-Co, | Mind Expander: Haus-Rucker-Co, | ||
The seat shell fixes two persons in a certain position. The lower seat allows one person to sit with their legs slightly open. The thigh of their right leg rests against a step forming the transition to a second seat area that is higher by the thickness of a thigh. | The seat shell fixes two persons in a certain position. The lower seat allows one person to sit with their legs slightly open. The thigh of their right leg rests against a step forming the transition to a second seat area that is higher by the thickness of a thigh. | ||
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“I can feel like an individual in the midst of humanity, through the image of something internal such as a cell, an atom, or a fetus. Keeping in mind the insignificance of humanity, as I shrink ever smaller, it may be possible to confirm my existence in the universe on an electronic level. Or this work may simply serve as a space to meditate. The heartbeat is the very first rhythm humans feel. I believe all music has the heartbeat as its source. The moment that human beings connect to the heartbeat that flows within us, the music that we hear starts to sound right.”\\ | “I can feel like an individual in the midst of humanity, through the image of something internal such as a cell, an atom, or a fetus. Keeping in mind the insignificance of humanity, as I shrink ever smaller, it may be possible to confirm my existence in the universe on an electronic level. Or this work may simply serve as a space to meditate. The heartbeat is the very first rhythm humans feel. I believe all music has the heartbeat as its source. The moment that human beings connect to the heartbeat that flows within us, the music that we hear starts to sound right.”\\ | ||
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+ | theo botschuiver | ||
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