Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Next revision
Previous revision
Next revisionBoth sides next revision
f15:studio [2015-04-02 07:04] – created majaf15:studio [2015-04-02 08:14] – [Studio or no studio?] maja
Line 1: Line 1:
 ===== Studio or no studio? ===== ===== Studio or no studio? =====
  
-The first in a series of conversations about the transiency of FoAM bxl. We asked ourselves what we like and dislike about the current situation and what if we kept the studio in uncertain economic conditions. +The first in a series of [[transiency_conversations|conversations about the transiency]] of FoAM bxl. We asked ourselves what we like and dislike about the current situation and what if we kept the studio in uncertain economic conditions. 
  
-Times when we liked having the studio includes situations like aperos, smoke & vapour, splinterfields, froesjels, simply entering the space, admiring light and sound, doing small experiments, designing open sauces (publication), +Times when we liked having the studio includes situations like aperos, smoke & vapour, splinterfields, froesjels, simply entering the space, admiring light and sound, doing small experiments, designing open sauces (publication), etc.
  
 Times when having the studio is challenging includes managing and maintenance of facilities (including mysterious infrastructure), general entropy of a shared space; the heater saga; due to its openness it’s difficult to withdraw to be quiet and know who is in the space; the overhead is too high for a small organisation (especially when cash-flow is problematic); good things keep disappearing, broken things remain;  Times when having the studio is challenging includes managing and maintenance of facilities (including mysterious infrastructure), general entropy of a shared space; the heater saga; due to its openness it’s difficult to withdraw to be quiet and know who is in the space; the overhead is too high for a small organisation (especially when cash-flow is problematic); good things keep disappearing, broken things remain; 
Line 18: Line 18:
   * it’s mysterious   * it’s mysterious
  
-== Open and inclusive ==+== Open and flexible ==
   * it can accommodate different combinations of people   * it can accommodate different combinations of people
   * it invites fluid experiences, allowing freedom and focus   * it invites fluid experiences, allowing freedom and focus
Line 54: Line 54:
   * **Co-Working Space** We could make the studio into a co-working space with other organisations. In order to do that some restructuring of the space would be needed, with a danger that the 'quietness' and privacy would be lost. However, if we would create some more enclosed spaces, the ability to withdraw might increase and solve the current challenge.   * **Co-Working Space** We could make the studio into a co-working space with other organisations. In order to do that some restructuring of the space would be needed, with a danger that the 'quietness' and privacy would be lost. However, if we would create some more enclosed spaces, the ability to withdraw might increase and solve the current challenge.
  
-The question remains that if we begin making so many changes in the space, will it still be a studio we’d like to have?+The question remains that if we begin making so many changes in the space, will it still be a studio we’d like to have? Furthermore, with all the attention and effort going into these changes, will we still be doing what we actually want to do, and what we wanted the studio for in the first place?
  
 ==== Prehearsals ==== ==== Prehearsals ====
  
-In autumn 2015 we’re planning to test a few of the suggestions in practice, to answer the question: what if we would operate the studio without structural funding? To do that we’ll design four pre-enactments that we’ll run for several months:+In autumn 2015 we’re planning to test a few of the suggestions in practice, to answer the question: what if we would operate the studio without structural funding? To do that we’ll design three pre-enactments that we’ll run for several months:
  
   * Event rentals: can we cover our overhead costs solely from event rentals for a couple of months? What do we need to do to make this happen? What impact would it have on life and work in the studio?   * Event rentals: can we cover our overhead costs solely from event rentals for a couple of months? What do we need to do to make this happen? What impact would it have on life and work in the studio?
  • f15/studio.txt
  • Last modified: 2016-08-09 17:32
  • by nik