Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision		 Previous revision
Next revisionBoth sides next revision
f15:studio [2015-04-02 07:21] – [Prehearsals] majaf15:studio [2015-06-11 15:13] – [Prehearsals] michka
Line 3: Line 3:
 The first in a series of [[transiency_conversations|conversations about the transiency]] of FoAM bxl. We asked ourselves what we like and dislike about the current situation and what if we kept the studio in uncertain economic conditions.  The first in a series of [[transiency_conversations|conversations about the transiency]] of FoAM bxl. We asked ourselves what we like and dislike about the current situation and what if we kept the studio in uncertain economic conditions. 
  
-Times when we liked having the studio includes situations like aperos, smoke & vapour, splinterfields, froesjels, simply entering the space, admiring light and sound, doing small experiments, designing open sauces (publication), +Times when we liked having the studio includes situations like aperos, smoke & vapour, splinterfields, froesjels, simply entering the space, admiring light and sound, doing small experiments, designing open sauces (publication), etc.
  
 Times when having the studio is challenging includes managing and maintenance of facilities (including mysterious infrastructure), general entropy of a shared space; the heater saga; due to its openness it’s difficult to withdraw to be quiet and know who is in the space; the overhead is too high for a small organisation (especially when cash-flow is problematic); good things keep disappearing, broken things remain;  Times when having the studio is challenging includes managing and maintenance of facilities (including mysterious infrastructure), general entropy of a shared space; the heater saga; due to its openness it’s difficult to withdraw to be quiet and know who is in the space; the overhead is too high for a small organisation (especially when cash-flow is problematic); good things keep disappearing, broken things remain; 
Line 54: Line 54:
   * **Co-Working Space** We could make the studio into a co-working space with other organisations. In order to do that some restructuring of the space would be needed, with a danger that the 'quietness' and privacy would be lost. However, if we would create some more enclosed spaces, the ability to withdraw might increase and solve the current challenge.   * **Co-Working Space** We could make the studio into a co-working space with other organisations. In order to do that some restructuring of the space would be needed, with a danger that the 'quietness' and privacy would be lost. However, if we would create some more enclosed spaces, the ability to withdraw might increase and solve the current challenge.
  
-The question remains that if we begin making so many changes in the space, will it still be a studio we’d like to have?+The question remains that if we begin making so many changes in the space, will it still be a studio we’d like to have? Furthermore, with all the attention and effort going into these changes, will we still be doing what we actually want to do, and what we wanted the studio for in the first place?
  
 ==== Prehearsals ==== ==== Prehearsals ====
Line 64: Line 64:
   * Accommodation rentals: can we have long-term agreements with a few organisations, who can guarantee of a certain amount of money (per year)? what if we advertised the studio through Air BnB?   * Accommodation rentals: can we have long-term agreements with a few organisations, who can guarantee of a certain amount of money (per year)? what if we advertised the studio through Air BnB?
  
-  * Co-Working space: can we try what it would be like to have the studio as a co-working space with other organisations (e.g. SPIN, EdgeRyders…)? how much extra co-ordination would that require? how much would the space have to change?  +  * Co-Working space: can we try what it would be like to have the studio as a co-working space with other organisations (e.g. SPIN, EdgeRyders…)? how much extra co-ordination would that require? how much would the space have to change?
- +
- +
- +
- +
  
  • f15/studio.txt
  • Last modified: 2016-08-09 17:32
  • by nik