Differences

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--- foam_press [2018-09-04 16:30] – maja
+++ foam_press [2018-09-06 06:50] – nik
@@ Line 12: / Line 12: @@
   * {{ ::gloria-20180530.pdf |Event report from the opening of the Venice Architecture Biennale 2018 by Diana Setka in Gloria}}
   * {{ ::pergola_glas_istre_20180525.pdf |Interview with the curator by Vanesa Begic in Glas Istre}}
-  * {{ ::pergola_glas_istre_20180526.pdf |Reportage from the opening by Vanese Begic in Glas Istre}}
+  * {{ ::pergola_glas_istre_20180526.pdf |Reportage from the opening by Vanesa Begic in Glas Istre}}
 Machine Wilderness
@@ Line 27: / Line 27: @@
   * podcast here https://www.thenakedscientists.com/articles/questions/deep-sea-diving-and-noisy-neighbours
   * https://www.pbs.org/newshour/science/listen-these-kayaks-turn-ocean-science-into-music
-(lots of other coverage but these were probably the best in terms of quality of what was said)
@@ Line 48: / Line 46: @@
   * https://www.edenproject.com/visit/whats-on/invisible-worlds-art-residency-ferment
-Transiencies
+Future Fabulators and other FoAM Futures work
-  * [[http://www.dewereldmorgen.be/long-read/2015/10/20/het-verlangen-te-kunnen-omdenken| Het verlangen om te kunnen omdenken by Barbara Raes in De Wereld Morgen]]
+  * [[https://fringejoyride.com/2014/04/23/bioluddites-with-foam/|Bioluddites with FoAM by Lisa Ma]]
-  * [[https://www.rektoverso.be/artikel/doe-beter-doe-niets-floreren-onzekerheid|Doe beter doe niets by Maja Kuzmanovic en Nik Gaffney in Rekto:verso]]
+  * [[http://archief.z33.be/kunstwerken/z33-foam-futures-lab-laboratory-experimental-world-construction|Futures Lab at Z33 by Karen Verschoren]] and [[http://archief.z33.be/en/projects/opening-future-fictions|Future Fictions Opening]] and [[https://issuu.com/z33be/docs/z33-futurefictions-minicatalogus|Future Fictions Catalogue]]
+  * [[https://www.uhasselt.be/UH/Nieuws/Actueel-Nieuws-2014/Bewoners-en-onderzoekers-tonen-het-Godsheide-van-2024.html|Bewoners and Bezoekers tonen het Godsheide van 2024 by UHasselt]] and [[http://www.dorpenbeleid.be/godsheide-anno-2024|Godsheide anno 2024 by Sarah Martens]]
+  * Improving Reality: https://medium.com/@nd_kane/improving-reality-2013-35ee00e352de
+  * X Factor Futures: http://2014.xcoax.org/ and [[https://loosediary.wordpress.com/2014/06/26/future-fabulators-third-culture-in-porto/|in this blogpost by Time's Up]]
+  * [[https://loosediary.wordpress.com/2014/06/04/lucid-dreaming-storyworld/|Lucid Dreaming Storyworld]] and [[https://loosediary.wordpress.com/2014/08/08/future-fabulators-lucid-dreaming/|Lucid Dreaming]] by Tina Auer
+  * http://archief.z33.be/en/projects/foam-future-doing-nothing-futures-lab
+  * [[https://michaelcobley1.wordpress.com/2015/08/28/the-possibility-of-a-single-culture/|The possibility of a single culture by Michael Cobley]]
+  * {{ ::electrifying_trends_the_bulletin_october_2010.pdf |Electrifying Trends by Sarah McFadden}}
+  * [[http://www.changingweathers.net/en/book/54/imagining-the-changing-weathers-climate-and-system-changed-world-part-iii|Imagining the Changing Weathers: Climate and System Changed world by Time's Up]]
+  * [[https://www.sciencedirect.com/science/article/pii/S0016328716301379|Enacting Futures in Postnormal Times in the Futures Journal]]
+  * [[https://futurefabulators.m-iti.org/scenario-planning-capstone-futures-2015/|Capstone Futures by M-iti]]
+  * [[https://loosediary.wordpress.com/2017/03/10/tasting-tomorrow-fieldwork/|Tasting Tomorrow Fieldwork by Tim Boykett]]
 groWorld
   * [[http://www.dataisnature.com/?p=612|on Patabotany by data is nature]]
-  * {{ ::collaboration_or_complicity_meta_crash_apr-may_2004.pdf |Collaboration or Complicity by Anna Munster}}
+  * {{ ::collaboration_or_complicity_meta_crash_apr-may_2004.pdf |Collaboration or Complicity by Anna Munster}} / RealTime #60 / http://www.realtimearts.net/article/60/7375
   * {{ ::nieuwsblad_20080626.pdf |Zelf groente en kruiden kweken op vensterbank by Bruno Depover in Het Nieuwsblad.be}}
   * [[http://www.fourthdoor.co.uk/fourthdoor_2013/docs/digitalis/FDR9_foam.pdf|GroWorld Vegetal Culture by Maja Kuzmanovic and Nik Gaffney in Fourth Door Review]]
@@ Line 61: / Line 70: @@
   * [[https://www.wired.com/2007/02/its_important_r/|It's Important, really by Bruce Sterling in Wired]]
   * http://we-make-money-not-art.com/how_to_save_the_world_in_10_da/
+  * Several blogposts about Borrowed Scenery on [[http://vegetal.posthaven.com/archive?query=borrowed+scenery|The Vegetal Studies]] blog
+  * [[https://www.stampmedia.be/artikel/stadsfestivals-kunst-kermis|Stadsfestivals: Kunst of Kermis? by Laura Herman]] includes review of Borrowed Scenery and Buratinas.
-FoAM's futures work:
-  * Improving Reality: https://medium.com/@nd_kane/improving-reality-2013-35ee00e352de
-  * X Factor Futures: http://2014.xcoax.org/
-  * http://archief.z33.be/en/projects/foam-future-doing-nothing-futures-lab
-  * [[https://michaelcobley1.wordpress.com/2015/08/28/the-possibility-of-a-single-culture/|The possibility of a single culture by Michael Cobley]]
-  * {{ ::electrifying_trends_the_bulletin_october_2010.pdf |Electrifying Trends by Sarah McFadden}}
 Marine CoLABoration
@@ Line 77: / Line 82: @@
   * {{ ::open_sauces_jutarnji_list_20110828.pdf |Hrana kao znanost, umjetnost i aktivizam by Zeljka Klemencic for Jutarnji List}}
   * {{ ::open_sauces_zoom_20110528.pdf |Open Sauces, hrana kao spoj umjetnosti i znanosti by Lara Bagar for Zoom}}
+  * [[http://publicartaction.net/gastrolabsopensauces/|GastroLabs Open Sauces]] and [[https://prezi.com/zmxpkcllyur6/the-art-and-science-of-collaboration/|The Art and Science of Collaboration (slide 20-23)]] by Amanda McDonald Crowley
+  * [[http://www.ueda.nl/index.php?option=com_content&view=category&id=115&lang=en|Maki Ueda on Edible Perfume]]
+Transiencies
+  * [[http://www.dewereldmorgen.be/long-read/2015/10/20/het-verlangen-te-kunnen-omdenken| Het verlangen om te kunnen omdenken by Barbara Raes in De Wereld Morgen]]
+  * [[https://www.rektoverso.be/artikel/doe-beter-doe-niets-floreren-onzekerheid|Doe beter doe niets by Maja Kuzmanovic en Nik Gaffney in Rekto:verso]]
 Resilients
   * {{ ::we_can_change_the_weather_vub_press_marleen_wynants.pdf |Resilients in We Can Change the Weather by Marleen Wynants}}
   * http://we-make-money-not-art.com/temporary_photoelectric_digest/
+  * [[https://www.resilience.org/stories/2012-07-10/dark-shapes-ahead/|The Dark Shapes Ahead by Dougald Hine]]
 Luminous Green
@@ Line 87: / Line 100: @@
   * {{ ::luminous_green_by_carole_collet_in_ma_textile_futures_catalogue_2007.pdf |Luminous Green by Carole Collet in Textile Futures Catalogue 2007}}
   * http://we-make-money-not-art.com/yesterday_i_att/
+  * Review of [[https://web.archive.org/web/20160401040626/http://spacesofexperimentation.net/brussels/luminous-green-gathering|Luminous Green 2010 by Thomas Jellis]] retrieved from archive.org. Thomas wrote several articles about FoAM's library, events and other activities, but only their titles have been archived [[https://web.archive.org/web/20160207134301/http://www.spacesofexperimentation.net/|here]].
+T-series
+  * FoAM's responsive environments as a case study in Josh Wodak's PhD Thesis "[[https://digitalcollections.anu.edu.au/bitstream/1885/9231/10/02Whole_Wodak.pdf|Interrogating Interactive Interfaces]]: On balance in the evocation of environmental responsibility in the creation of Responsive Environments". See specifically [[https://openresearch-repository.anu.edu.au/bitstream/1885/9231/7/05Chapter3_Wodak.pdf|Chapter 3: Case Studies]]
+  * Dr Satinder Gill wrote about FoAM's work with responsive environments in several books and papers. Most recently in [[https://link.springer.com/book/10.1007%2F978-3-319-21620-1|Tacit Engagement: Beyond Interaction]], specifically in {{ ::gill_tebook_chapter5.pdf |Chapter 5, Tacit Engagement: Betwixt and Between}}
 TRG
@@ Line 116: / Line 135: @@
   * {{ ::tgarden-20011013.pdf |Eigen wereld van beeld en geluid by Cor Vos}}
   * https://www.researchgate.net/publication/221629638_Gesture_and_response_in_field-based_performance by Sha Xin Wei and Satinder Gill
-  * {{ ::gill_tebook_chapter5.pdf |Tacit Engagement: Betwixt and Between by Satinder Gill}}
 Reviews: