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--- future_fabulators:lucid_dreaming_a_storyworld [2014-06-10 12:39] – [Dreamers' Experiences] tina.auer
+++ future_fabulators:lucid_dreaming_a_storyworld [2014-07-23 08:52] – editorial dustpan sweeping alkan
@@ Line 2: / Line 2: @@
 Brief: using scenario methods to design one or more storyworlds that can be used for a physical narrative and possibly a prehearsal (or the combination of both); the physical narrative should be light and portable, to be used in a hotel room and an exhibition in Austria and Cluj in September and October, and possibly in Belgium in the autumn. This all sounds easy enough, until the second part of the brief is introduced: the process should be akin to lucid dreaming…
-{{http://imgs.xkcd.com/comics/jump.png}}
 [[:lucid_dreaming|lucid dreaming]]: awareness of the fact that you’re dreaming
@@ Line 11: / Line 7: @@
   * first thing to do is to broaden your awareness even before you fall asleep
   * asleep, dreaming - becoming aware of dreaming, observing it as it comes, without interfering
-  * gradually if you want to you can begin to steer it.
+  * gradually if you want to you can begin to steer it
   * make your own reality
 translation into the scenario process
@@ Line 21: / Line 17: @@
 for participants:
-  * the methods used shouldn’t really matter. you also don’t have to know exactly what happens next: as in dreams, go with the flow and try to be as open as possible.
+  * the methods used shouldn’t really matter. you also don’t have to know exactly what happens next: as in dreams, go with the flow and try to be as open as possible
-  * today is less about 'understanding exactly what’s going on' and more about trusting your gut feelings and unconscious mind   * letting ideas flow from you and through you - try not to block anything that comes to mind. do not worry about anything seeming silly, stupid, or unrelated - nothing you do or say today can fall into those categories.
+  * today is less about "understanding exactly what’s going on" and more about trusting your gut feelings and unconscious mind
+  * letting ideas flow from you and through you - try not to block anything that comes to mind. do not worry about anything seeming silly, stupid, or unrelated - nothing you do or say today can fall into those categories
   * if something feels uncomfortable or makes you insecure, try letting go of these feelings and approach every exercise with curiosity - "the beginners’ mind"; if it doesn’t work after a while, feel free to step out and take some distance for a while, then come back…
   * let your mind loose and watch your inhibitions melt away
   * trust yourself, trust the people around you, trust the process
 Process: [[scenario_building_as_lucid_dreaming]]
+{{http://imgs.xkcd.com/comics/jump.png}}
@@ Line 34: / Line 36: @@
 We know that there are a few objects in this world:
-  * shoes
+  * Shoes
-  * soft wool
+  * Soft wool
-  * a heavy relationship with a father and family (not mother)
+  * A heavy relationship with a father and family (not mother)
-  * roses
+  * Roses
-  * mint
+  * Mint
-  * empty void
+  * Empty void
-  * a car-key for a big car that can move lots of people
+  * A car key for a big car that can move lots of people
-  * ice cube (melting)
+  * Ice cube (melting)
-  * ink and paint dribbling on pebbles
+  * Ink and paint dribbling on pebbles
-  * a box
+  * A box
-  * sparkling powder
+  * Sparkling powder
-  * dragonfly wings
+  * Dragonfly wings
-  * small mechanical devices
+  * Small mechanical devices
-  * bottle of gin
+  * Bottle of gin
-  * a big and heavy photocopier
+  * A big and heavy photocopier
 ==== What can we assume? ====
@@ Line 55: / Line 56: @@
 Knowing about the few objects originating in the world, there are a few things we might assume:
-  * it looks like a Victorian scene on Brighton beach
+  * It looks like a Victorian scene on Brighton beach
-  * there is a bar or multiple bars, where brightly coloured gin cocktails are important
+  * There is a bar or multiple bars, where brightly coloured gin cocktails are important
-  * dragonflies have wings
+  * Dragonflies have wings
-  * dragonflies might be larger than in our world, perhaps helicopter-sized
+  * Dragonflies might be larger than in our world, perhaps helicopter-sized
-  * the smells are heavy and sticky - a mix of shoes and roses...
+  * The smells are heavy and sticky - a mix of shoes and roses…
-  * there might be an apothecary on a ship (a ferry?) at sunrise
+  * There might be an apothecary on a ship (a ferry?) at sunrise
-  * people might be sipping gin at sunset
+  * People might be sipping gin at sunset
-  * there is a magic box, that can bring us things we want at any moment: the world has magical underpinnings and changing situations
+  * There is a magic box that can bring us things we want at any moment: the world has magical underpinnings and changing situations
-  * there is a dusty grave
+  * There is a dusty grave
-  * tiny mechanical insects dance on an ice-cube
+  * Tiny mechanical insects dance on an ice-cube
-  * one family lives in this world, they are cobblers with a shoe factory
+  * One family lives in this world, they are cobblers with a shoe factory
-  * its' a non-plastic world
+  * It's a non-plastic world
-  * people take drugs, sparkly ones
+  * People take drugs, sparkly ones
-  * there might be a large building, something like Cleopatra's palace
+  * There might be a large building, something like Cleopatra's palace
-  * there is an x-ray station and drivable photocopiers, like giant cars
+  * There is an x-ray station and drivable photocopiers, like giant cars
-  * the world is predominantly translucent, except for the shoes
+  * The world is predominantly translucent, except for the shoes
-  * there are many large soft beds around, mobile, perhaps in cars. mother might be in the bed, with a bottle of gin.
+  * There are many large soft beds around, mobile, perhaps in cars; mother might be in the bed, with a bottle of gin
-  * tools (some rusty) are scattered around the place
+  * Tools (some rusty) are scattered around the place
-  * there is a hornets' nest
+  * There is a hornets' nest
-  * nanotechnology rules the world
+  * Nanotechnology rules the world
-  * it looks a bit like Neal Stephenson's Diamond Age
+  * It looks a bit like Neal Stephenson's //Diamond Age//
@@ Line 128: / Line 129: @@
-We have landed on the endless peninsula with a shoreline that is neither land nor sea. The shoreline is sometimes smooth, other times rough, with waves breaking on rocks. The atmosphere is thick and woollen in this land of sunrise and twilight. Light is heavy and laden with golden dust that sediments on hidden graves. When darkness comes, the world sparkles. The air fills with mechanical insects collecting the sparkling dust as drugs. Aside from the buzzing of the insects at night, there is an eery noiseless quality to the peninsula. Occasionally the silence is pierced by small, medium and large voices, by faint dripping, drifting and echoing sounds.
+We have landed on an endless peninsula with a shoreline that is neither land nor sea. The shoreline is smooth in parts, rough in others, with waves breaking on rocks. The coastline is sprinkled with geothermal hotsprings, rigged with mechanical contraptions. The vegetation is weird - machinic and brown in most places, except for wide, green pockets of tumbleweed, propelled by mechanics. You can see them tumbling across the landscape in search of water, or rolling towards the golden centre. There is water everywhere on the coast, while the centre is barren and dusty. The coast is on the tropical equatorial, while moving in either direction towards the poles nothing but desert can be found. The wind sweeps from the coast inland, blowing orange dust and tumbleweed-like mechanical pockets of tropical nature across the peninsula.
-Things are built rather than grown, there are canals lit by giant candelabra, the rolling hills are made of shoes. There are very few plants and animals around, and only in secret pockets of nature. Living flora and fauna, as well as and ancient human graves are sought after by mechanical dragon-flies, scanning across fragmented and dispersed nature. An apothecary of species is hovering above the world, swirling through the mist on giant dragonfly-propellers. In the apothecary, intricate nano-machinery works on replicating rapidly disappearing lifeforms and maintain the populations’ health. The world is criss-crossed with helicopters’ landing strips allowing the dragonfly apothecary to circle in on any species in need of replication. One of the endangered species are humans - shabby, clean, healthy and curious creatures that drift aimlessly, often wearing only shoes.
+The atmosphere hanging over this land of permanent sunrise and twilight is thick and woollen. It is never completely dark or light, but partakes of continuous gradients from golden orange to silvery sparkles. The sun and moon are visible at the same time. Light is heavy and laden with golden dust that accumulates in thick sediments on hidden graves. When darkness comes, the world sparkles. The air fills with mechanical insects collecting the sparkling dust as a drug. Aside from the buzzing of the insects at night, there is an eery noiseless quality to the peninsula. Occasionally the silence is pierced by small, medium and large voices, by faint dripping, drifting and echoing sounds.
-The landscapes are surreal (from the dreamers’ point of view), unnatural and complicated. Everything is in motion. Infrastructure and places float to you. The movement is mechanical, but also fluid - an insectoid dance of machines and liquids. The majority of floating places are bars, saunas (actually hornets’ nests) and huge soft beds shaped like fluffy duvets. The land is covered in scattered tools: both newly built and frequently used, as well as old, rusty, forgotten tools.
+Things are built rather than grown, there are canals lit by giant candelabra, the rolling hills are made of shoes. There are very few plants and animals around, and only in secret pockets of nature. Living flora and fauna, as well as and ancient human graves, are sought after by mechanical dragonflies, which patrol and scan across a fragmented and dispersed nature. An Apothecary of Species is hovering above the world, swirling through the mist on giant dragonfly-propellers. In the Apothecary, intricate nano-machinery works on replicating rapidly disappearing lifeforms and maintaining the population's health. The world is crisscrossed with helicopter landing strips allowing the dragonfly apothecary to circle in on any species in need of replication. One of the endangered species are humans - shabby, clean, healthy and curious creatures that drift aimlessly, often wearing only shoes.
-Across the floating peninsula hover many roads, all leading from the many gin distilleries to dusty cocktail bars. On the roads drive giant photo-copiers that print spacious two-dimensional cars. One of the strangest contraptions on the peninsula is a floating palace that looks x-rayed under sunlight. From outside it appears like a translucent box standing on an ice-cube. From inside its walls are built of wood and xrays, its windows are covered by leather. Its origins are unclear (there are conspiracy theories about whether it had been discovered or rebuilt). In the present there are only parts of the palace in use. One part is a news-agency, another -of course- a cocktail bar, from which all other bars are replicated.
+The landscapes are surreal (from the dreamers’ points of view), unnatural and complicated, reminiscent of Balinese Steam Punk: hot and steamy, lush and decaying. Everything is in motion. Sparse human habitation is scattered across floating settlements. Infrastructure and places float to you. The movement is mechanical, but also fluid - an insectoid dance of machines and liquids. The majority of floating places are bars, saunas (actually hornets’ nests) and huge soft beds shaped like fluffy duvets. The land is covered in scattered tools: both newly built and frequently used, as well as old, rusty, forgotten tools. Everything is made from metal and various unknown organic compounds. There is no plastic whatsoever.
-{{>https://www.flickr.com/photos/foam/14306423136/}} \\
+Across the floating peninsula hover many roads, all leading from the many gin distilleries to dusty cocktail bars. On the roads drive giant photocopiers that print spacious two-dimensional cars. One of the strangest contraptions on the peninsula is a floating palace that looks x-rayed under sunlight. From outside it appears like a translucent box standing on an ice-cube. From inside its walls are built of wood and x-rays, its windows are covered with leather. Its origins are unclear (there are conspiracy theories about whether it had been discovered or rebuilt). In the present there are only parts of the palace in use. One part is a newsagency, another - of course - a cocktail bar, from which all other bars are replicated.
+{{>https://www.flickr.com/photos/foam/14306423136/}} \\
 ==== Who are the inhabitants? ====
@@ Line 322: / Line 326: @@
 ==== A day in the life of... ====
-{{>https://www.flickr.com/photos/foam/14372792103/}} \\
-==== Dreamers' Experiences ====
 {{>https://www.flickr.com/photos/foam/14166028100/}} \\
@@ Line 343: / Line 342: @@
+**A Young Shapeshifter**
+A normal morning for the clan, a big question for our juvenile protagonist.
+Transcarnation
+There is a yearning for adventure, a feeling for history, a sense of danger.
+Vessel Living
+A clan of 28 persons.
+A romance.
+Our protagonist feels not taken seriously, wants to belong, wants to somehow prove their worth and worthiness.
+An insider.
+A need to improve contributions.
+Wants to stay put, there are stories of dangers.
+There is the powder. Our protagonist has just receoived it with the morning dragonfly. Will they take it?
+The moment: enjoying morning gin. This is breakfast.
+The question: what to do next. Reflections upon the day ahead.
+Dear Diary. writing in a device. An action to organise thoughts.
+Phasebook.
+In the morning dragonfly a letter and a powder to slow the transition. The Transcarnation.
+Morning Gin with lover, a colection of vines. Next transcarnation will be away from a state able to water them and care for them. Maybe not even able to be intertwined. But no fear, the clan will care for the vine. Nevertheless.
+Can our protagonist make a decision for the vines as well? Togethernjess, but they complement one another. Are the vines changing? Is that just their interpretation?
+The Shiftreport.
+The Dustr can hold on to him for a little while.
+On the vessel, looking out over the lush landscape, sipping gin. The rest of the clan is asleep. Chatting with Inanimates.
+That which is LUW - Lost Upon Waking.
+Is consciousness a technology?
+==== Dreamers' Experiences ====
+{{>https://www.flickr.com/photos/foam/14372792103/}} \\