Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision | ||
future_fabulators:notes_from_bbb13 [2013-11-14 08:34] – tina.auer | future_fabulators:notes_from_bbb13 [2013-11-14 09:52] – tina.auer | ||
---|---|---|---|
Line 118: | Line 118: | ||
She often talked about writers as vital and professional, | She often talked about writers as vital and professional, | ||
+ | === Expanded Radio / Expanded Narration === | ||
+ | *Sabine Breitsamer - Professor of Sound and Media Culture in the Department of Media at Hochschule Darmstadt* and is a co-founder of the Masters program "Sound Studies" | ||
+ | |||
+ | * she gave an historic overview of the development of radio play & radio dramas - which she defines as " | ||
+ | * furthermore she has shown examples representing the development from mono-directional radio towards tow-way communication usage | ||
+ | **Examples** | ||
+ | * 1924 Hans Flesch - **Zauberei auf dem Sender** - [[http:// | ||
+ | * 1929 Walter Ruttmann - **Weekend** - | ||
+ | * an acoustic picture of a Berlin weekend urban landscape [[https:// | ||
+ | * 1969 Richard Hey SWF - audience participation (through phonecalls) / choosing the path of development of the story told | ||
+ | * 1969 Alvin Lucier - **I'm sitting in a room** [[https:// | ||
+ | * 1980 peak-time of radio performance; | ||
+ | * 1996 Tina Casani & Bruno Beusch; they founded *Radio TNC* (1995). Interactive media fiction The Great Web Crash - 2 year lasting radio-play. | ||
+ | * Citation of **Gene Youngblood** at the end (which I haven' | ||
+ | * interesting note during discussion: participation was brought up again - Breitsamer misses " | ||
+ | |||
+ | === KORSAKOW - "The next level of Story === | ||
+ | **Florian Thalhofer** / [[http:// |