Differences

This shows you the differences between two versions of the page.

Link to this comparison view

glue_a_case_study [2015-11-05 17:50] – created majaglue_a_case_study [2015-11-05 17:54] (current) maja
Line 3: Line 3:
 A Case Study on How Things Stick, Panel discussion at [[http://archives.isea-web.org/?page_id=79|ISEA2002]] in Nagoya, Japan A Case Study on How Things Stick, Panel discussion at [[http://archives.isea-web.org/?page_id=79|ISEA2002]] in Nagoya, Japan
  
-Consider the following keywords within a realm where creative practices and technology intertwine:  +Consider the following keywords within a realm where creative practices and technology intertwine: [collaboration] [playfulness] [systems] [knowledge] [research] [theory] [practice] [active participation] [new public contexts] [audience] [environment] [perception] [cohesion] [culture]
-[collaboration] [playfulness] [systems] [knowledge] [research] [theory] [practice] [active participation] [new public contexts] [audience] [environment] [perception] [cohesion] [culture] +
  
-All of the notions listed above can either be considered as free-floating entities with their own particular  meaning, or they can be re/combined with each other within unconventional contexts, and hence continuously stretch the elasticity of their own semantics.  Instead of focusing the discussion on one of the separate topics, this panel will attempt to look at the substance [glue] or action [gluing] that is needed for this collection of concepts to stick together, resulting in a congruent and valuable creative practice.  The notion of [orai] will be a starting point for an inquiry into the literacy needed for the cohesion of a vast variety of topics and methodologies employed in the arena of participatory arts. All panelists apply specific kinds of glue to help create instances of cohesion and adhesion within their creative/technological practices, which occur on the cusp of research, production and presentation of artistic works. +All of the notions listed above can either be considered as free-floating entities with their own particular meaning, or they can be re/combined with each other within unconventional contexts, and hence continuously stretch the elasticity of their own semantics.  Instead of focusing the discussion on one of the separate topics, this panel will attempt to look at the substance [glue] or action [gluing] that is needed for this collection of concepts to stick together, resulting in a congruent and valuable creative practice.  The notion of [orai] will be a starting point for an inquiry into the literacy needed for the cohesion of a vast variety of topics and methodologies employed in the arena of participatory arts. All panellists apply specific kinds of glue to help create instances of cohesion and adhesion within their creative/technological practices, which occur on the cusp of research, production and presentation of artistic works.
  
-Components of tenacity: +Components of tenacity 
-The intersections of empirical knowledge and critical theory are pondered, cultural research methodologies are examined. Strategies for sustainable collaboration, creative exchange between heterogeneous  groups  are tested in practice.  Collaborative efforts between developers and audience generate new public contexts, where the visitors/participants /players are actively involved in the modeling of responsive environments, networked performances and a range of adaptive systems. Creative output is designed as an incubator for new development, as well as a site for analysis and evaluation of the work process. +The intersections of empirical knowledge and critical theory are pondered, cultural research methodologies are examined.  Strategies for sustainable collaboration, creative exchange between heterogeneous groups are tested in practice.  Collaborative efforts between developers and audience generate new public contexts, where the visitors/participants /players are actively involved in the modelling of responsive environments, networked performances and a range of adaptive systems.  Creative output is designed as an incubator for new development, as well as a site for analysis and evaluation of the work process.
  
-The consistency and thickness of the glue variesfor the different case studies presented by the panelists.  However, we distinguish one indispensable quality for adhesion: play-fulness. From in the inquisitive endeavors within research projects, to the output formats of public experiments, to improvement of the group dynamics. Glue your own!+Stickiness 
 +The consistency and thickness of the glue varies for the different case studies presented by the panellists.  However, we distinguish one indispensable quality for adhesion: play-fullness. From the inquisitive endeavours within research projects, to the output formats of public experiments, to improvement of the group dynamics. Glue your own!
  
  
Line 28: Line 28:
   * Per Platou (NO)   * Per Platou (NO)
  
-=== FoAM's Glue ===+==== FoAM's Glue ====
  
 (by Maja Kuzmanovic) (by Maja Kuzmanovic)
  • glue_a_case_study.1446745830.txt.gz
  • Last modified: 2015-11-05 17:50
  • by maja