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| monster_code [2023-02-10 11:35] – theunkarelse | monster_code [2025-05-06 08:26] (current) – theunkarelse | ||
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| + | * [[monstercode_intro]] short introduction | ||
| + | * [[memory_craft]] short intro to techniques | ||
| + | * [[memory_character]] Theun' | ||
| + | Written language serves us in many ways, but it is a recent phenomenon. For a much longer period humans relied on forms of encoding that took advantage of neurological features of the human mind, that lie relatively dormant in the literate mind. To tap into this potential Monster Code explores preliterate modes of encoding and organising information, | ||
| + | \\ | ||
| + | **Landscape as mindpalace: | ||
| + | === current walks: === | ||
| + | * timeline of **US presidents as a framework for world history** encoded into shopping street (Jan Evertsenstraat, | ||
| + | * timeline of **hominids** and **European Proboscidea** encoded into opposite side of shopping street (each block 1 million years) (Jan Evertsenstraat, | ||
| + | |||
| ==== Monster Code ==== | ==== Monster Code ==== | ||
| - | //Monster// refers to imagination. //Code// refers to encoding things geographically. The name is an adaptation of [[memory_code]] the title of the book by Lynne Kelley, on ways of encoding environmental, | + | //Monster// refers to imagination. //Code// refers to encoding things geographically. The name is an adaptation of [[memory_code]] the title of the book by Lynne Kelley, on ways of encoding environmental, |
| * monster: **our memory of character**: | * monster: **our memory of character**: | ||
| * code: **our memory for geography**: | * code: **our memory for geography**: | ||
| | | ||
| - | === current walks: === | + | |
| - | * timeline of US presidents encoded into shopping street (Jan Evertsenstraat, | + | |
| - | * timeline of hominids encoded into opposite side of shopping street (each block 1 million years) (Jan Evertsenstraat, | + | |
| - | * mindpalace of damselflies (into branch structure of tree at FoAM's MidWest garden) | + | |
| === structures: === | === structures: === | ||
| - | * areas: to encode important instances, moments, ideas, entities | + | |
| - | * places: to encode important instances, moments, ideas, entities | + | |
| - | * entities (monsters): | + | |
| - | * lines (of places or areas): to encode a sequence of any kind | + | |
| - | * cycles: anything that has no beginning or end, but does have an order | + | |
| - | * branches: lines that fork, for example for related plant-families, | + | |
| * combinations of the above | * combinations of the above | ||
| === examples === | === examples === | ||
| - | * | + | * [[https:// |
| + | * Native American pilgrimage trails | ||
| + | * [[https:// | ||
| + | * ceremonial roads of the Pacific Islands | ||
| + | * neolithic causeways, processional avenues and henges of Europe | ||
| - | [[monstercode_intro]] and [[memory_craft]] | ||
| - | group sessions:\\ | + | |
| + | === group sessions: | ||
| working in small groups, each working with a small ' | working in small groups, each working with a small ' | ||
| Data sets: | Data sets: | ||
| * European elephants | * European elephants | ||
| - | * 10 famous female pirates | + | * 10 famous |
| * 3 flooded villages | * 3 flooded villages | ||
| * recipe for sandcookies | * recipe for sandcookies | ||
| Line 55: | Line 66: | ||
| * pg 127 the soul passes from one chariot to another and this gives creation order, it moves through a particular set of things created by the same ancestor in the Dreaming. | * pg 127 the soul passes from one chariot to another and this gives creation order, it moves through a particular set of things created by the same ancestor in the Dreaming. | ||
| + | === Run like hell === | ||
| American poet Ruth Stone works as a farmer in rural Virginia. She describes the creation of a poem as something she feels and hears emanating from the landscape. A poem is like a thundering train of air coming towards her, shaking the earth beneath her feet. In that moment, there is only one thing left for her to do, and that is "//run like hell// | American poet Ruth Stone works as a farmer in rural Virginia. She describes the creation of a poem as something she feels and hears emanating from the landscape. A poem is like a thundering train of air coming towards her, shaking the earth beneath her feet. In that moment, there is only one thing left for her to do, and that is "//run like hell// | ||
| + | === How things shape the mind === | ||
| + | Working with Renfrew, Malafouris developed an approach to the study of the human mind, past and present, known as **Material Engagement Theory** (MET) which has three central tenets:\\ | ||
| + | |||
| + | * Cognition is extended and enacted because material forms are part of the mind and cognition is the interaction between brains, bodies, and material forms. | ||
| + | * Materiality has agency because it is able to influence change in brains and behaviors. | ||
| + | * Meaning (signification) emerges through the active engagement of material forms. | ||
| + | |||
| + | These tenets provide an archaeological framework that " | ||
| + | \\ | ||
| + | Important concepts developed by Malafouris include:\\ | ||
| + | * metaplasticity, | ||
| + | * thinging, the idea that humans think with and through material things[6] | ||
| + | * neuroarchaeology, | ||
| + | * see also [[https:// | ||
| ==== Hiking with Monsters at Amelisweerd 2021/2022 ==== | ==== Hiking with Monsters at Amelisweerd 2021/2022 ==== | ||