Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Next revision		Previous revision
notes_intermedia_seminar [2007-06-13 07:13] – external edit 127.0.0.1notes_intermedia_seminar [2018-03-30 13:44] (current) – 84.209.160.125
Line 150: Line 150:
   * synchronicity -- you have to rely a lot on it when designing responsive spaces   * synchronicity -- you have to rely a lot on it when designing responsive spaces
   * synergy of dramaturgical elements - mediated, body oriented, textual   * synergy of dramaturgical elements - mediated, body oriented, textual
-  * rationalising concept also after the fact+  * rationalising concept also after the incident
  
  
-  * dancers can only sometimes become artists; science and research is always a part of dance+  * dancers can sometimes be considered (creative) artists; more or different than re-producing a repetetativeness/ or variation of a movement cycle   
 +  * science and research is always a part of professional dance
   * a dif. ontology is needed to express what is going on in the whole dance field   * a dif. ontology is needed to express what is going on in the whole dance field
 +  * references are relevant to be added to the movement repertoire, not only within academic texts, but for instance in an academic/ pedagogical setting, where physical movement exercises are emphasized, it should be referred to precisely, from where and when this movement system/ practical arrangement is found and originated, for instance from theater, or dance sources, etc. It could be mentioned from which style, continent, time period this material relates to.
  
   * intuition - jung (flight into mysticism) -- through individuation   * intuition - jung (flight into mysticism) -- through individuation
-  * dancers are my artifacts, but also my friends+  * dancers are also somehow dramaturgical elements 
 +  * dancers and media = scenography 
 +  * post-digitalism - media and dancers - equal partners - not fetishising it
   * age - strange in dance   * age - strange in dance
-  * dance - respect and communication, politics+  * dance - respect and communication, political engagement to a certain extend, for instance art with a feministic approach
   * art - space to ask questions   * art - space to ask questions
   * dance - more a state of body than the movement (i dont like to move without reason) - dance of energies / ambient dance (body weather)   * dance - more a state of body than the movement (i dont like to move without reason) - dance of energies / ambient dance (body weather)
   * dancers - aesthetic beings   * dancers - aesthetic beings
   * contemporary state of ideas - so poor   * contemporary state of ideas - so poor
-  * dance body - free of dogma, free of consciousness, ego... - very dominant way of being (often posed in a dogmatic way+  * dance body - free of dogma, free of consciousness, ego, - on the other side, the dance scene can to some degree be an arena for leaders with a very dominant practice/ way of being (often posed in a dogmatic way), where authoritative forces enjoys to pose power statement, excused by the process of making a "perfected" dance expression 
 +  * even the dance field, like in (dance) academia, is an arena where the male leader (choreographer/ artistic administrative/ scholar) is favored, to a certain extent, not necessarily/ primarily the skilled capacity foremost
   * performance - prescribed performance based on the media; collective unconsciousness/individual consciousness   * performance - prescribed performance based on the media; collective unconsciousness/individual consciousness
   * process - energy continues goes on beyond the performance space   * process - energy continues goes on beyond the performance space
- +  * according to artificial intelligence norms, only what exist is what can be presented. (I was quoting T. R. Gruber. Toward principles for the design of ontologies used for knowledge sharing. Presented at the Padua workshop on Formal Ontology, March 1993, to appear in an edited collection by Nicola Guarino: "For AI systems, what "exists" is that which can be represented") 
- +  * intuition as a tool and process in polishing the art expression that comes during and after/ post methodology
-  * dancers and media = scenography +
-  * post-digitalism - media and dancers - equal partners - not fetishising it +
-  * according to artificial intelligence norms, only what exist is what can be presented. I was quoting T. R. Gruber. Toward principles for the design of ontologies used for knowledge sharing. Presented at the Padua workshop on Formal Ontology, March 1993, to appear in an edited collection by Nicola Guarino: "For AI systems, what "exists" is that which can be represented" +
-  * intuition as a tool and process in polishing the art expression that comes after methodology+
   * dont experiment in all different directions - stick to the path and be selective   * dont experiment in all different directions - stick to the path and be selective
- 
- 
- 
- 
- 
 ==== per roar thorsnes: slippery land in between ==== ==== per roar thorsnes: slippery land in between ====
  
Line 271: Line 266:
   * you come in and get different challenges and difficulties to get deeper into the interaction   * you come in and get different challenges and difficulties to get deeper into the interaction
  
 +[[lecture_notes]]

User Tools

Page Tools

Site Tools