Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revisionPrevious revision
Next revision		Previous revision
notes_intermedia_seminar [2017-02-16 15:37] – [monica emilie herstad] 2.150.16.58notes_intermedia_seminar [2018-03-30 13:44] (current) – 84.209.160.125
Line 153: Line 153:
  
  
-  * dancers can only sometimes become/ be considered as (creative) artists; more or different than re-producing a repetetativeness/ or variation of a movement cycle  +  * dancers can sometimes be considered (creative) artists; more or different than re-producing a repetetativeness/ or variation of a movement cycle  
   * science and research is always a part of professional dance   * science and research is always a part of professional dance
   * a dif. ontology is needed to express what is going on in the whole dance field   * a dif. ontology is needed to express what is going on in the whole dance field
Line 169: Line 169:
   * contemporary state of ideas - so poor   * contemporary state of ideas - so poor
   * dance body - free of dogma, free of consciousness, ego, - on the other side, the dance scene can to some degree be an arena for leaders with a very dominant practice/ way of being (often posed in a dogmatic way), where authoritative forces enjoys to pose power statement, excused by the process of making a "perfected" dance expression   * dance body - free of dogma, free of consciousness, ego, - on the other side, the dance scene can to some degree be an arena for leaders with a very dominant practice/ way of being (often posed in a dogmatic way), where authoritative forces enjoys to pose power statement, excused by the process of making a "perfected" dance expression
-  * even the dance field, like in (dance) academia, is an arena where the male leader (choreographer/ artistic administrative/ scholar) is favored, to a certain extend, not necessarily/ primarily the skilled capacity foremost+  * even the dance field, like in (dance) academia, is an arena where the male leader (choreographer/ artistic administrative/ scholar) is favored, to a certain extent, not necessarily/ primarily the skilled capacity foremost
   * performance - prescribed performance based on the media; collective unconsciousness/individual consciousness   * performance - prescribed performance based on the media; collective unconsciousness/individual consciousness
   * process - energy continues goes on beyond the performance space   * process - energy continues goes on beyond the performance space

User Tools

Page Tools

Site Tools