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| parenzana_residency_notes [2014-06-04 01:45] – [Notes from 20131004] 118.210.84.165 | parenzana_residency_notes [2025-06-29 07:30] (current) – nik | ||
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| ==== Parenzana Residency Notes ==== | ==== Parenzana Residency Notes ==== | ||
| - | Notes during the residency at Castelletto Parenzana (on the former TPC train line) -> http:// | + | Notes during the residency at Castelletto Parenzana (on the former TPC train line) -> http:// |
| - | Photos: | + | Photos: |
| From the 30th of September to the 9th of October 2013, Sarah Neville, Florence Thomas, Nik Gaffney and Maja Kuzmanovic inhabit the Castello Parenzana, close to the legendary town of Motovun in Istria, Croatia. Matt and Miranda Thomas take part in the residency as well, remotely from the Adelaide Hills. Although the landscape in Istrian and South Australian hills might share similarities of climate and topography, the flora and fauna, stories and cultures that grew from them are quite different. Inspired and informed by the landscape, the weather and the (hi)stories of both places, as well as our own experiences as inhabitants and migrants, we're looking into the relationships between storytelling and the environment, | From the 30th of September to the 9th of October 2013, Sarah Neville, Florence Thomas, Nik Gaffney and Maja Kuzmanovic inhabit the Castello Parenzana, close to the legendary town of Motovun in Istria, Croatia. Matt and Miranda Thomas take part in the residency as well, remotely from the Adelaide Hills. Although the landscape in Istrian and South Australian hills might share similarities of climate and topography, the flora and fauna, stories and cultures that grew from them are quite different. Inspired and informed by the landscape, the weather and the (hi)stories of both places, as well as our own experiences as inhabitants and migrants, we're looking into the relationships between storytelling and the environment, | ||
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| ====Notes from 20131002 ==== | ====Notes from 20131002 ==== | ||
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| digraph 20131002 { | digraph 20131002 { | ||
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| Emotions -> Fear; | Emotions -> Fear; | ||
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| - | " | + | " |
| "What can be transported" | "What can be transported" | ||
| "What can be transported" | "What can be transported" | ||
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| "What can be transported" | "What can be transported" | ||
| } | } | ||
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| ====Notes from 20131003 ==== | ====Notes from 20131003 ==== | ||
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| Exploring the region: | Exploring the region: | ||
| * [[http:// | * [[http:// | ||
| - | * [[https:// | + | * [[http:// |
| * [[http:// | * [[http:// | ||
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| < | < | ||
| - | https:// | + | http:// |
| Aphorisms include a heuristic approach to the world, they deal with probabilities rather than dogmas. What happens to age old sayings that might be less in tune with current climate chaos (when red sunsets don't only mean nice weather the next day, but could signal unexpected fires and other calamities). Do we need new annotations or re-interpretations of these texts to reflect our time? | Aphorisms include a heuristic approach to the world, they deal with probabilities rather than dogmas. What happens to age old sayings that might be less in tune with current climate chaos (when red sunsets don't only mean nice weather the next day, but could signal unexpected fires and other calamities). Do we need new annotations or re-interpretations of these texts to reflect our time? | ||
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| digraph 20131003 { | digraph 20131003 { | ||
| bgcolor = " | bgcolor = " | ||
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| Form -> " | Form -> " | ||
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| - | </graphviz> | + | </uml> |
| ====Notes from 20131004 ==== | ====Notes from 20131004 ==== | ||
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| Task: Improvise the moments in the space, as improvised staging including the characters | Task: Improvise the moments in the space, as improvised staging including the characters | ||
| - | {{> | + | {{> |
| - | //The nature of rain is always the same but it makes thorns grow in the desert and flowers in the garden. | Edible and poisonous plants// (notes at https://secure.flickr.com/ | + | //The nature of rain is always the same but it makes thorns grow in the desert and flowers in the garden. | Edible and poisonous plants// (notes at http://www.flickr.com/ |
| - | {{>https://secure.flickr.com/ | + | {{>http://www.flickr.com/ |
| // No one knows what rolls behind the mountain // | // No one knows what rolls behind the mountain // | ||
| - | {{>https://secure.flickr.com/ | + | {{>http://www.flickr.com/ |
| //All flowers of the future are in the seed of the present// | //All flowers of the future are in the seed of the present// | ||
| - | {{>https://secure.flickr.com/ | + | {{>http://www.flickr.com/ |
| //Furious storm passes quickly // | //Furious storm passes quickly // | ||
| {{> | {{> | ||
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| * warnings (short, abrupt, distant, factual…) | * warnings (short, abrupt, distant, factual…) | ||
| * bed time stories (soothing, quiet…) | * bed time stories (soothing, quiet…) | ||
| - | * guslari oral tradition: | + | * guslari oral tradition: |
| * Fortune telling (intense, personalised, | * Fortune telling (intense, personalised, | ||
| * … | * … | ||
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| * decay and half-life of aphorisms. persistence of relevance in proverbs. graveyard of false lore, forgotten aphorisms. | * decay and half-life of aphorisms. persistence of relevance in proverbs. graveyard of false lore, forgotten aphorisms. | ||
| * illustrations for contemporary proverbs and the future perspectives which make them appear quaint | * illustrations for contemporary proverbs and the future perspectives which make them appear quaint | ||
| - | * [[https:// | + | * [[http:// |
| * [[various aphorisms]] | * [[various aphorisms]] | ||
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| * visit to [[http:// | * visit to [[http:// | ||
| - | {{>https://secure.flickr.com/ | + | {{>http://www.flickr.com/ |
| //Tradition must be a springboard to the future, not an easy chair for resting.// | //Tradition must be a springboard to the future, not an easy chair for resting.// | ||
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| - | < | + | < |
| - | < | + | < |
| ====Notes from 20131009==== | ====Notes from 20131009==== | ||
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| **Sounds from Matt** | **Sounds from Matt** | ||
| - | < | + | < |
| - | < | + | < |
| **Miranda' | **Miranda' | ||
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| * see [[research report parenzana]] | * see [[research report parenzana]] | ||
| - | ==== Notes from 20140603 ==== | + | ==== Adhocracy |
| - | ==== Adhocracy | + | * see notes at [[adhocracy |
| - | + | ||
| - | A year on from the residency | + | |
| - | + | ||
| - | Speculative Culture/ Weather Lore is a project exploring future forecasting and sustainable living in a time of rapid climate change. It is a family-based project exploring weather lore and future forecasting through a series of cultural strategies. | + | |
| - | + | ||
| - | History is full of rhymes, anecdotes, and proverbs meant to guide the uncertain in determining whether the next day will bring fair or foul weather. Farmers watched the sky colour to know when to sow and reap. Mariners noted wind and waves for signs of change. Contemporary weather lore often manifests from people’s anxiety about a future of floods, famine and fires. The question is how does the superstitious or curious imagination make sense of all this? | + | |
| - | + | ||
| - | The project is utilising a future forecasting methodology which encourages people to investigate living in a range of possible futures, designed as artistic experiments. | + | |
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| - | The Neville-Thomas family subscribe to a sustainable, | + | |