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After Coming across some problematic patterns in creating inflatables myself, and the inflatable structures of the architects of Airs’s Luminarium and some more colleagues, | After Coming across some problematic patterns in creating inflatables myself, and the inflatable structures of the architects of Airs’s Luminarium and some more colleagues, | ||
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- | ==== results ==== | ||
- | As I' | ||
- | * // | ||
- | The first thing it does is putting a heavy load on us as conventionaly it focusses on what not to do. It rather paralyzes us, or pushes our guild buttons; we must shrink our presence, our systems, our activities, and even our population. But we are part of nature to! Alexanders | ||
- | descripbes that someting sustains itself, when its made with real care. | ||
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- | A good inflatable design can be so congruent with peoples feelings that it sustains itself- when it gets dirty or worn people take care of it themselves, because the pattern is deeply connected to their own experience. From outside, it seems as though the inflatable maintains itself almost as if by magic. | ||
- | It is the self-sustaining character the living inflatable has, which is the result of making something with real care. | ||
- | Because people enjoy being there, they look after it and even when no one else is there, you can “feel” the presence of life there, because you can sense that people are taking care of it.\\ | ||
- | \\ | ||
- | ===Getting old nicely=== | + | ==== Discussion==== |
- | {{getting_old_nicely.jpg|}}\\ | + | As I' |
- | The character of nature can’t arise without | + | |
- | But before they die, make sure you choose materials which decay nicely. Modern modern sculptures or architects often choose material which decay awfull. | + | |
+ | * // | ||
+ | Another thing I like to mention is that something sustains itself, when its made with real care and when its patterns are deeply connected to our own experiences, | ||
+ | \\ | ||
+ | in their detail appearance these broad features are never twice the same.\\ | ||
+ | The quality of places is never twice the same, because it always takes its shape from the particular | ||
+ | So an alternative is to think of differentiating spaces: | ||
+ | It is not a process of addition, in which pre-formed parts are combined to create a whole: but a process of unfolding, like the evolution of an embryo, in which the whole precedes in parts, and actually gives birth to them, by splitting (so becoming different in the process of growth or development). Only a process of differentiation, | ||
- | ===Build to die=== | ||
- | The character of nature is fluid, rough, irregular, but it will not be true, unless it is made in the knowledge that it is going to die. | ||
- | No matter how much the person who makes a building is able to understand the rhythm of regularity, it will mean noting so long as he creates it with the idea that it must be preserved because it is so precious. If you want to preserve a building, you will try to make it in materials which last forever. | ||
- | But to reach the quality without a name, a building must be made, at least in part, of those materials which age and crumble. Soft tile and brick, soft plaster, fading caots of paint, canvas which has been bleached a little and torn by wind. | ||
- | ===Cradle to Cradle=== | + | |
- | Conventional environmentalists focus on what not to do, here it can use aswell some transformation: | + | TheVisual Collection |
- | presention an inspiring and exiciting vision | + | In looking for structures for inflatables as a visual survey; I became very tired quickly. Maybe because I came across a lot of dead stuff. So I decided |
- | Environmental destruction is a complex system in its own right – widespread , with deeper causes that are difficultt | + | |
- | But what about ourselves, we are part of human nature to and if we don’t usse our creativity we’ll die. | + | Up to now I noticed people (no matter |
- | To be less bad is to accept things as they are, to believe that poorly designed, dishonorable, | + | |
- | These kind of guild we are carrying on our shoulders | + | As a follow up from this research I have like do realize two events where I will develop inflatable spaces solely inflated by wind. |
- | So what about an entirely different model | + | |
+ | I l like to continue on three parts of the research; the collections of the visual survey, the collection | ||
- | Preferably is to work with biodegradable materials so after use one can feed | ||
- | it in the form of nutrients to the ground or to use materials which can be upcycled in a techinal cycle the [[cradle_to_cradle]] concept. | ||
- | One can use materials which after use can break it down in the bio cycles (like plastics made from mais), or upcycle it in a technical cycle. | ||
- | But it isn't always that simple; for instance one wants to use [[bioplastic]], | ||
- | But you don’t have to be perfect right now as long there is a direction and all these materials are not all available now, | ||
- | but you can set your goal for 20 years, just define where you wanna go.\\ | ||
- | \\ | ||
- | * The second design principle // | ||
- | * The thirt principle was // | ||