Show pageOld revisionsBacklinksBack to top You've loaded an old revision of the document! If you save it, you will create a new version with this data. Media Files "the intervention of air travel, broadcasting and digital technologies does not completely nullify the impact of sheer physical distance. In an itinerant world criss-crossed by fibre-optics, copper wire and invisible latices of radio waves, isolation still causes a cultural lag. The huge watery spaces between New Zealand and the "rest of the world" still seem to slow down the speed of the information revolution. Isolation causes a kind of info-drag. But the distance from the super-highway, though often frustrating, can have it's advantages. Culturals fads and trends have less impact in a country where they arrive 3, 6 or even 12 months late. Indigenous phenomena can sometimes be left to incubate and evolve entirely localised peculiarities in the absence of the distraction of international influences. Consequently, experimental New Zealand music and sound art from the 1980s till the present day has developed its own evolutionary quirks entirely specific to the country. In comparitive isolation, experimental sound manifests specific auditory adaptions, distinctive sonic qualities, unique phonic mutations, and new interpretations of the pervasive themes of isolation, distance and remoteness." --[[radioqualia]]Please fill all the letters into the box to prove you're human. Please keep this field empty: SavePreviewCancel Edit summary Note: By editing this page you agree to license your content under the following license: CC Attribution-Share Alike 4.0 International radioqualia_ephemera.1611315061.txt.gz Last modified: 2021-01-22 11:31by nik