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| research_report_cat_jones [2014-05-08 08:07] – 124.149.185.15 | research_report_cat_jones [2014-05-08 11:56] (current) – 124.149.185.15 | ||
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| History of plant life has direct correlations with human development, | History of plant life has direct correlations with human development, | ||
| - | Given the significant symbiosis humans have with plant life it’s surprising that scientific research in this area is only just beginnning | + | Given the significant symbiosis humans have with plant life it’s surprising that scientific research in this area is only just beginning |
| I’ve been intrigued by the way gardeners often anthropomorphise plants to rationalise successful gardening methodologies and one of these manifestations - the common compulsion and practice of people talking to plants due to its perceived benefits in improvement in plant health. | I’ve been intrigued by the way gardeners often anthropomorphise plants to rationalise successful gardening methodologies and one of these manifestations - the common compulsion and practice of people talking to plants due to its perceived benefits in improvement in plant health. | ||
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| The content of the exchange | The content of the exchange | ||
| - | Historic | + | **Historic** |
| Humans and the early use of intuition, trial and error in establishing the roles of plants as friend or foe. | Humans and the early use of intuition, trial and error in establishing the roles of plants as friend or foe. | ||
| Symbology of specific plants based on the Doctrine of Association | Symbology of specific plants based on the Doctrine of Association | ||
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| The role of plants as women’s status and expression advanced - including sexual education and expression through botanic watercolours and poetry through 17th, 18th and 19th Centuries in Western Europe and the United Kingdom. | The role of plants as women’s status and expression advanced - including sexual education and expression through botanic watercolours and poetry through 17th, 18th and 19th Centuries in Western Europe and the United Kingdom. | ||
| - | Practical | + | **Practical** |
| Chlorophyl printing on leaves | Chlorophyl printing on leaves | ||
| The mirror box for finding a physical experience of empathy for humans | The mirror box for finding a physical experience of empathy for humans | ||
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| The research continues in 2013 with attendance at meet up with Genspace Bio hackers and Observatory Gallery curators in Austin Texas USA, a Slime Mould workshop by Heather Barnett in March 2013 New York, the Plant Signalling Conference July 2013 in Vancouver, research of 17th-18thC botany texts at the Wellcome Library in London, residencies at Point B in New York, symbioticA in Perth Western Australia, and with artist collaborators at Bundanon Trust NSW. | The research continues in 2013 with attendance at meet up with Genspace Bio hackers and Observatory Gallery curators in Austin Texas USA, a Slime Mould workshop by Heather Barnett in March 2013 New York, the Plant Signalling Conference July 2013 in Vancouver, research of 17th-18thC botany texts at the Wellcome Library in London, residencies at Point B in New York, symbioticA in Perth Western Australia, and with artist collaborators at Bundanon Trust NSW. | ||
| + | **Post residency outcomes** | ||
| + | http:// | ||
| + | http:// | ||
| + | http:// | ||
| + | http:// | ||
| **References** | **References** | ||
| - | Books | + | **Books** |
| * Botany Sexuality and Women’s Writing 17th – 18thC, Samantha George | * Botany Sexuality and Women’s Writing 17th – 18thC, Samantha George | ||
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| - | URL's (eclectic) | + | **URL's (eclectic)** |
| Female Botanist/ | Female Botanist/ | ||
| Line 125: | Line 130: | ||
| * | * | ||
| - | Other related to women and botany | + | **Other related to women and botany** |
| http:// | http:// | ||
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| - | Organisations | + | **Organisations** |
| * Society of Plant Signalling and Behaviour http:// | * Society of Plant Signalling and Behaviour http:// | ||
| * Scientific interest in plant movements, sensitivity, | * Scientific interest in plant movements, sensitivity, | ||
| - | Science journalism and related | + | **Science journalism and related** |
| - | Acoustic Leaves http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | Plants use Clicking Sounds http:// | + | |
| - | Plants in Motion DIY http:// | + | |
| - | http:// | + | |
| - | How the first plant evolved http:// | + | |
| - | Pea Aphid uses Photosynthesis http:// | + | |
| - | Sagebrush Self Recognition http:// | + | |
| - | Intro to Cyanobacterium http:// | + | |
| - | Soil MEssages http:// | + | |
| - | Insects Use Plants as a Telephone http:// | + | |
| - | Leaf images http:// | + | |
| - | Light Induced Chloroplast motion http:// | + | |
| - | Scent Delivery System http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| - | http:// | + | |
| + | Acoustic Leaves http:// | ||
| + | | ||
| + | http:// | ||
| + | | ||
| + | http:// | ||
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| + | http:// | ||
| + | | ||
| + | http:// | ||
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| + | http:// | ||
| + | | ||
| + | | ||
| + | Plants use Clicking Sounds | ||
| + | http:// | ||
| + | | ||
| + | Plants in Motion DIY | ||
| + | http:// | ||
| + | | ||
| + | http:// | ||
| + | | ||
| + | How the first plant evolved | ||
| + | http:// | ||
| + | | ||
| + | Pea Aphid uses Photosynthesis | ||
| + | http:// | ||
| + | | ||
| + | Sagebrush Self Recognition | ||
| + | http:// | ||
| + | | ||
| + | Intro to Cyanobacterium | ||
| + | http:// | ||
| + | | ||
| + | Soil MEssages | ||
| + | http:// | ||
| + | | ||
| + | Insects Use Plants as a Telephone | ||
| + | http:// | ||
| + | | ||
| + | Leaf images | ||
| + | http:// | ||
| + | | ||
| + | Light Induced Chloroplast motion | ||
| + | http:// | ||
| + | | ||
| + | Scent Delivery System | ||
| + | http:// | ||
| + | | ||
| + | http:// | ||
| + | | ||
| + | http:// | ||
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| + | http:// | ||
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| + | http:// | ||
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| + | http:// | ||
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| + | http:// | ||
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| + | http:// | ||
| - | Historical | + | |
| + | **Historical** | ||
| * http:// | * http:// | ||
| + | |||
| * http:// | * http:// | ||
| + | * | ||
| * http:// | * http:// | ||
| + | * | ||
| * Mary Mitford on Frances Arabella Rowden http:// | * Mary Mitford on Frances Arabella Rowden http:// | ||
| + | * | ||
| * The Praise of the Needle http:// | * The Praise of the Needle http:// | ||
| + | * | ||
| *The Linnaean Dissertations http:// | *The Linnaean Dissertations http:// | ||
| + | * | ||
| *http:// | *http:// | ||
| - | Projects and Artists | + | **Projects and Artists** |
| - | * Data Garden http:// | + | |
| - | | + | Data Garden http:// |
| - | Ackroyd and Harvey http:// | + | |
| - | Bio Poetry http:// | + | GrensWerte | Media Art Garden http:// |
| - | Carol Flueckiger http:// | + | |
| - | How to Make Leaf Skeletons http:// | + | Ackroyd and Harvey http:// |
| - | Jyll Bradley http:// | + | |
| - | Helena Goldwater http:// | + | Bio Poetry http:// |
| - | Radio Mycelium Project http:// | + | |
| - | Bartaku http:// | + | Carol Flueckiger http:// |
| - | Simon Park http:// | + | |
| - | Amy Young http:// | + | How to Make Leaf Skeletons http:// |
| - | Eyes as Big A Plates http:// | + | |
| - | Natalie Jeremijenko http:// | + | Jyll Bradley http:// |
| - | Forest Symphony http:// | + | |
| - | Akousmaflore http:// | + | Helena Goldwater http:// |
| - | http:// | + | |
| - | Leaf Print Photography http:// | + | Radio Mycelium Project http:// |
| - | http:// | + | |
| - | | + | Bartaku http:// |
| - | http:// | + | |
| + | Simon Park http:// | ||
| + | |||
| + | Amy Young http:// | ||
| + | | ||
| + | Eyes as Big A Plates http:// | ||
| + | | ||
| + | Natalie Jeremijenko http:// | ||
| + | | ||
| + | Forest Symphony http:// | ||
| + | | ||
| + | Akousmaflore http:// | ||
| + | | ||
| + | http:// | ||
| + | | ||
| + | Leaf Print Photography http:// | ||
| + | | ||
| + | http:// | ||
| + | | ||
| + | Cirque d’Ici | ||
| + | | ||
| + | http:// | ||
| - | Other | + | **Other** |
| http:// | http:// | ||
| [[http:// | [[http:// | ||