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Picture from: Le Portefeuille Industriel, a collection of technical drawings from Musée des Arts et Métiers. | Picture from: Le Portefeuille Industriel, a collection of technical drawings from Musée des Arts et Métiers. | ||
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* if the actual outcomes are different than the expected outcome, the reasons for this should be explained in the " | * if the actual outcomes are different than the expected outcome, the reasons for this should be explained in the " | ||
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== Designing Tsunamipants, | == Designing Tsunamipants, | ||
The first step to design portable safety technology for natural disasters is to make a full list of these horrors. From this the first opportunities for design become apparent. This can be complemented by a list of controversial technologies, | The first step to design portable safety technology for natural disasters is to make a full list of these horrors. From this the first opportunities for design become apparent. This can be complemented by a list of controversial technologies, | ||
- | Making a collection of historic and current solutions in wearable safety systems, gives a greater scope of possibilities in this field. | + | Making a collection of historic and current solutions in wearable safety systems, gives a greater scope of possibilities in this field. I also looked at protective systems used by animals, for instance the fat-layer used by sealions for insulation and food reserve. And I based Martin' |
== Designing Martin Brolin. == | == Designing Martin Brolin. == | ||
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Martin should be European, because of the Christian flavouring of the Climate change debate so I chose Sweden. The unforbidding natural forces that shape that country would also shape the right kind of mental state for my survival engineer. In retrospect it is remarkable to see that for tackling the issues connected with the changing climate, I designed a suffering man in his thirties with long hair. The Christian imagery must have been playing in the back-ground. | Martin should be European, because of the Christian flavouring of the Climate change debate so I chose Sweden. The unforbidding natural forces that shape that country would also shape the right kind of mental state for my survival engineer. In retrospect it is remarkable to see that for tackling the issues connected with the changing climate, I designed a suffering man in his thirties with long hair. The Christian imagery must have been playing in the back-ground. | ||
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