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| - | related libarynth topic// | + | related libarynth topic: // [[plant movement]] |
| ---Bose now in retirement summud his scientific philosophy: | ---Bose now in retirement summud his scientific philosophy: | ||
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| made to the plant itself and no evidence should be accepted unless **it bears | made to the plant itself and no evidence should be accepted unless **it bears | ||
| the plant' | the plant' | ||
| + | --------------- | ||
| ==== The Metamorphosis of Plants ==== | ==== The Metamorphosis of Plants ==== | ||
| - | < | + | < |
| + | and extinct, their uses, classification, | ||
| + | distribution, | ||
| + | taxonomy, an endless Latin dirge**, in which progress is measured more | ||
| + | by the number of corpses cataloged than by the number of blossoms | ||
| + | cherished, is perhaps the greatest mystery in the study of plant life. Pg 104 | ||
| + | |||
| + | **The pollen of most plants has a highly inflammable character**; | ||
| + | thrown on a red-hot surface it will ignite as quickly as gunpowder. | ||
| + | Artificial lightning was formerly produced on the theatrical stage by | ||
| + | throwing the pollen grains of the Lycopodium or club mosses onto a hot | ||
| + | shovel. In many plants the pollen diffuses an odor bearing the most | ||
| + | striking resemblance to the seminal emission of animals and man. | ||
| + | The spermatozoa of certain mosses carried in the morning dew in search of females, is guided by its taste for malic acid toward the delicate cups at the bottom of | ||
| + | which lie moss eggs to be fertilized. **The spermatozoa of ferns**, on the | ||
| + | other hand, liking sugar, **find their females in pools of sweetened water**. Pg 107 | ||
| + | |||
| + | ---For years Goethe had been distressed by the limitations involved in a merely analytical and | ||
| + | intellectual approach to the plant world, typified by **the cataloging mind | ||
| + | of the eighteenth century**, and of a theory of physics, then triumphant, | ||
| + | which submitted the world to blind laws of mechanics, to a "jeu de | ||
| + | rouages et de ressorts sans vie." | ||
| + | ------------------- | ||
| + | ==== Plants Will Grow to Please ==== | ||
| + | < | ||
| + | trees finally consume man and, by combining his remains together with raw earth, water, air, and sunlight, transform and transmute human bodies into the most glorious forms and | ||
| + | colors? | ||
| + | ---------- | ||
| + | |||
| + | ===== Tuned to the Music of the Spheres ===== | ||
| + | |||
| + | ==== The Harmonic Life of Plants ==== | ||
| + | |||
| + | < | ||
| + | began wondering whether sound, properly prescribed, could spur field crops to greater yields. From 1960 to 1963 he piped the " | ||
| + | speaker to paddy rice growing in | ||
| + | the fields** of seven villages on the Bay of Bengal, and got harvests ranging consistently from | ||
| + | 25 to 60 percent higher than the regional average. He also was able | ||
| + | musically to provoke peanuts and chewing tobacco into producing nearly | ||
| + | 50 percent more than normal. Singh further reported that merely by | ||
| + | dancing the " | ||
| + | out musical accompaniment and executed by **girls without trinkets on their ankles, the growth of Michaelmas daisies, marigolds, and petunias | ||
| + | was very much accelerated**, | ||
| + | night earlier than controls, presumably because of the rhythm of the | ||
| + | footwork transmitted through the earth. | ||
| + | |||
| + | --- | ||
| + | In the mid-1960s two researchers at Canada' | ||
| + | Measures and Pearl Weinberger were conversant that ultrasonic frequencies markedly affect the germination and growth of | ||
| + | barley, sunflower, spruce, Jack pine, Siberian pea tree, and other seeds | ||
| + | and seedlings However, the very | ||
| + | frequencies which stimulated some plant species inhibited others. They wondered whether specific audible frequencies in | ||
| + | the sonic range would be as effective as music in enhancing the growth | ||
| + | of wheat. | ||
| + | In a series of experiments lasting more than four years, the two | ||
| + | biologists exposed the grains and seedlings of spring Marquis and winter | ||
| + | Rideau wheat to high-frequency vibrations. They found that, depending | ||
| + | on how long the wheat seeds had been vernalized, **the plants responded | ||
| + | best to a frequency of 5,000 cycles a second**. | ||
| + | |||
| + | ---1973 Dr. Weinberger said **basic farm equipment of the future will include an oscillator** for production | ||
| + | of sound waves and a speaker." | ||
| + | they discovered that experimental " | ||
| + | away from a 727 jet plane** about to take off, caused turnips to sprout much faster than those left silently in the ground. Pg 152 | ||
| + | |||
| + | Allotting one chamber for a control group, Mrs. Dorothy Retallack, a Danish professional organist and mezzo soprano in 1968 used the | ||
| + | same plants, as in the first experiment, | ||
| + | setting them in identical soil and affording them equal amounts of water | ||
| + | on schedule. Trying to pinpoint the musical note most conducive to | ||
| + | survival, each day she tried an **F note, played unremittingly for eight | ||
| + | hours in one chamber** and three hours intermittently in another. In the | ||
| + | first chamber her plants were **stone dead within two weeks**. In the | ||
| + | second ·chamber, the plants were much healthier than controls left in | ||
| + | silence. | ||
| + | |||
| + | ---The cucurbits were hardly indifferent to the two musical forms: those | ||
| + | exposed to Haydn, Beethoven, Brahms, Schubert, and other eighteenth- | ||
| + | and nineteenth-century European scores g**rew toward the transistor | ||
| + | radio**, one of them even twining itself lovingly around it. The other | ||
| + | squashes grew away from the rock broadcasts and even tried to climb | ||
| + | the slippery walls of their glass cage. Pg 154 | ||
| + | The plants gave positive evidence of **liking Bach, since they leaned | ||
| + | an unprecedented thirty-five degrees toward the preludes**. But even this | ||
| + | affirmation was far exceeded by their reaction to Shankar: in their | ||
| + | straining to reach the source of the classical Indian music they bent | ||
| + | more than halfway to the horizontal, at angles in excess of sixty degrees, | ||
| + | **the nearest one almost embracing the speaker**. | ||
| + | |||
| + | --Jazz caused her a real surprise. When her plants heard recordings as | ||
| + | varied as Duke Ellington' | ||
| + | strong, 55 percent of the plants leaned fifteen to twenty degrees toward | ||
| + | the speaker, and growth was more abundant than in the silent chamber. Pg 156 | ||
| + | |||
| + | -------------------------- | ||
| + | |||
| ----------------------------- | ----------------------------- | ||
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