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-<html>
-<pre>
-     A) Definition:
-     Transdisciplinarity means to find common features to
-uncommon entities:  i.e., &lt;A> ü &lt;Non-A> is different from the
-empty set, even if they are disjoint.
-     B) Multi-Structure and Multi-Space:
-     Let S1 and S2 be two distinct structures, induced by the
-group of laws L which verify the axiom groups A1 and A2
-respectively, such that A1 is strictly included in A2.
-One says that the set M, endowed with the properties:
-a) M has an S1-structure,
-b) there is a proper subset P (different from the empty set ü,
-from the unitary element with respect to S2, and from M) of the
-initial set M which has an S2-structure,
-c) M doesn't have an S2-structure,
-is called an S1-structure with respect to S2-structure.
-     Let S1, S2, ..., Sk be distinct space-structures.
-We define the Multi-Space (or k-Structured Space) as a set M such
-that for each structure Si, 1 &lt;= i &lt;= k, there is a proper
-(different from the empty set, from the unitary element with respect to Si,
-and from M) subset Mi of it which has that structure.  The M1,
-M2, ..., Mk proper subsets are different two by two.
-(F.Smarandache, "Mixed Non-euclidean Geometries", 1969)
-     Similarly one can define the Multi-Group, Multi-Ring, Multi-
-Field, Multi-Lattice, Multi-Module, etc. -
-which may be generalized to Infinite-Structured-Space,
-Infinite-Structured-Group, and so on.
-     Let's introduce new terms:
-     C) Psychomathematics:
-A discipline which studies psychological processes in connection
-with mathematics.
-     D) Mathematical Modeling of Psychological Processes:
-a) Improvement of Weber's and Fechner's Laws on sensations and
-stimuli.
-     According to the neutrosophic theory, between an &lt;idea> (=
-spiritual) and an &lt;object> (= material) there are infinitely many
-states.
-Then , how can we mix an &lt;idea> with an &lt;object> and obtain
-something in between: s% spiritual and m% material (s+m = 100)?
-[kind of chemical alloy].
-Or, as Boethius, a founder of scholasticism, urged to "join faith
-to reason" in order to reconcile the Christian judgement with the
-rational judgement.
-     For example &lt;mind> and &lt;body> co-exist.  Gustav Theodor
-Fechner, who inaugurated the experimental psychology, obsessed
-with this problem, advanced the theory that every object is both
-mental and physical (psychophysics).
-Fechner's Law, S = k log R, with S the sensation, R the stimulus,
-and k a constant,
-which is derived from Weber's Law, Delta R / R = k, with Delta R the
-increment of stimulus just detectable,
-should be improved, because the function log R is indefinitely
-increasing as R ---> ü, to
-             ln R
-   S(R) = k -------, for R in [Rm, RM],
-             ln RM
-and
-   S(R) = 0, for R in [0, Rm) union with (RM, ü),
-where k is a positive constant depending on three parameters:
-individual being, type of sensation, and the kind of stimulus,
-and Rm, RM represent the minimum and maximum stimulus magnitude
-respectively perceptible by the subject,
-the second one bringing about the death of sensation.
-Fechner's "functional relation", as well as later psychologists'
-power law R = kS^n, with n depending on the kind of stimulus, were
-upper unbounded, while the beings are surely limited in
-perception.
-   S: [0, ü) ---> {0} union with [Sm, SM], with Sm, SM the minimum
-and maximum perceptible sensation respectively.
-Of course Rm > 1, S(Rm) = Sm, and S(RM) = SM = k.
-Ln, increasing faster, replaces log because the sensation is more
-rapidly increasing at the beginning, and later going on much
-slower.
-At R = RM, S attaints its maximum, beyond whom it becomes flat
-again, falling to zero.
-The beings have a low and high threshold respectively, a range
-where they may feel a sensation.
-Graph of Fechner's Law Improvement:
-                   /\
-                 S |
-                   |
-                 -----------------------.------
-                SM |                .
-                   |             .
-                   |           .
-                   |         .
-                   |       .
-                   |      .
-                 --------.----------------------
-                Sm |
-                   |
-                   |......______________........>
-      Rm             RM     R
-     For example in acoustics:  a sound is not heard at the
-beginning and, if it constantly keeps enlarging its intensity, at
-a given moment we hear it, and for a while its loudness increases
-in our ears, until the number of decibels - getting bigger than
-our possibility of hearing - breaks our eardrums...  We would not
-hear anything anymore, our sensation died...
-     Now, if at a given moment t0 the stimulus R remains constant
-equal to R0 (between the conscious limits of the being, for a
-long period of time t), and the sensation S(R0) = c, then we get
-the following formulas:
- In the case when the stimulus in not physically or
-physiologically damaging the individual being:
-Sdec(t) = c log1/e(t+1/e) = -c ln(t+1/e),
-for 0 &lt;= t &lt;= exp(-Sm/c)-1/e, and 0 otherwise;
-which is a decreasing function;
- In the case when the stimulus is hurting the individual being:
-Sinc(t) = c ln(t+e), for 0 &lt;= t &lt;= exp(SM/c)-e, and 0 otherwise;
-which is an increasing function until the sensation reaches its
-upper bound;
-where c, as a constant, depends on individual being, type of
-sensation, and kind of stimulus.
-     Examples:
-ü If a prisoner feels a constant smell in his closed room for
-days and days, isolated from the exterior, and he doesn't go
-outside to change the environment, he starts to feel it less and
-less and after a critical moment he becomes inured to the smell
-and do not feel it anymore -
-thus the sensation disappears under the low perceptible limit.
-ü If a water drop licks constantly, at the same interval of time,
-with the same intensity, on the head of a prisoner tied to a
-pillar, the prisoner after a while will feel the water drop
-heavier and heavier, will mentally get ill and out of his mind,
-and will even physically die -
-therefore again disappears the sensation, but above the high
-limit.  See how one can kill someone with a... water drop!
-ü If one permanently plays the same song for days and days to a
-person enclosed in a room without any other noise from outside,
-that person will be driven crazy, even psychologically die, and
-the sensation will disappear.
-     Weber's Law can be improved to Delta R / ln R = k, with R
-defined on [Rm, RM], where k is a constant depending on individual
-being, type of sensation, and kind of stimulus,
-due to the fact that the relative threshold Delta R increases slower
-with respect to R.
-     Let's propose a
-b) Synonymity Test,
-similar to, and an extension of, the antonym test in psychology,
-would be a verbal test where the subject must supply as many as
-possible synonyms of a given word within a as short as possible
-period of time.
-How to measure it?
-The spectrum of supplied synonyms (s), within the measured period
-of time (t), shows the subject's level of linguistic neutrosophy:
-s/t.
-     E) Psychoneutrosophy:
-Psychology of neutral thought, action, behavior, sensation,
-perception, etc.  This is a hybrid field deriving from
-psychology, philosophy, economics, theology, etc.
-For example, to find the psychological causes and effects of
-individuals supporting neutral ideologies (neither capitalists,
-nor communists), politics (not in the left, not in the right),
-etc.
-     F) Socioneutrosophy:
-Sociology of neutralities.
-For example the sociological phenomena and reasons which
-determine a country or group of people or class to remain neuter
-in a military, political, ideological, cultural, artistic,
-scientific, economical, etc. international or internal war
-(dispute).
-     G) Econoneutrosophy:
-Economics of non-profit organizations, groups, such as: churches,
-philanthropic associations, charities, emigrating foundations,
-artistic or scientific societies, etc.
-How they function, how they survive, who benefits and who loses,
-why are they necessary, how they improve, how they interact with
-for-profit companies.
-     H) New Types of Philosophies:
-a) Object Philosophy:  a building through its architecture, a
-flower, a bird flying, etc. any object are all ideas, or inspire
-ideas - which are not necessarily to be written down on the paper
-because they would lose their naturalness and their essence would
-be distorted.
-The philosophy should consequently have a universal language, not
-clinged to a specific language (how to translate, for example,
-Heidegger's dassein, and why to entangle in a notion, syntagme,
-or word?!).
-b) Concrete Philosophy:  a drawing, a painting, a canvas, any
-two-dimensional picture are all ideas and inspire ideas.
-c) Sonorous Philosophy:  a symphony melody, the jazz music, a
-sound, any noise are all ideas, or inspire ideas - because they
-directly work with our unconsciousness.
-d) Fuzzy Philosophy:  there is only a fuzzy border between &lt;A>
-and &lt;Non-A> and, in consequence, elements which belong (with a
-certain probability) to both of them, even to &lt;A> and &lt;Anti-A>.
-Like the clouds in the sky.
-An element e belongs 70% to &lt;A> and 30% to &lt;Non-A>.  Or, more
-organic, e belongs 70% to &lt;A>, 20% to &lt;Neut-A> and 10% to &lt;Anti-
-A> for example.
-The di-chotomy between &lt;A> and &lt;Non-A> may be substituted with
-trichotomy (&lt;A>, &lt;Neut-A>, &lt;Anti-A>) according to our three\ory,
-and by generalization in a similar way, with plurichotomy onward
-to transchotomy [ü-chotomy] (continuum-power shades among &lt;A>,
-&lt;Neut-A>, and &lt;Anti-A>).
-And, when the probability is involved, fuzzy-chotomy, or more:
-neutro-chotomy.
-d) Applied Philosophy:  philosophical knowledge (such as:
-proverbs, aphorisms, maxims, fables, stories) used in our every
-day's life.
-e) Experimental Philosophy:  philosophical checking and studying
-of strange, bizarre ideas.
-f) Futurist Philosophy:  ideas created by machines, robots,
-computers using artificial intelligence;
-this is the philosophy of tomorrow.
-g) The main thesis of the Fonfoist Philosophy is:
-A 31dh972`4t` ;  Re euhwu KK   uoe ,,T  iehewllue;n 8 'ei e
-pE ecb;w |  ehe eIc w'eweiw u821-34 6r3jMenc 0e ek3 Lc]m 3- f]3-
-[S 871]3j kjNec743 cwe]9-3 ]w,rU '3m 0fi re4-.
-     This is because philosophy is a tautology, and every
-sentence is formally true in a certain referential system.  Every
-senseless proposition has a sense.
-Then, what's the meaning of this thesis?
-(F. Smarandache, "NonNovel", 1993).
-h) Nonphilosophy:
-     To make philosophy by not doing any philosophy at all!
-Like a mutism.
-Everything may mean philosophy:  a graffiti (having no words, no
-letters), any scientific sign or expression displayed on the
-page...
-A poem is a philosophical system.  A physics law, a chemical
-formula, a mathematical equation too.
-For example, a blank page also means an idea, a natural
-phenomenon as well.
-Due to the fact that they all make you reflect, meditate, think.
-This nonphilosophy becomes, paradoxically, a new kind a
-philosophy!
-     I) New Types of Philosophical Movements:
-a) Revisionism:  to review all the philosophical systems, ideas,
-phenomena, schools, thinkers and rewrite the philosophy as a
-cumulus of summum bonum.
-b) Inspirationalism:  to look to antecedents for clues and
-contemporaries for inspiration to get your own research methods
-and original system.
-c) Recurrentism:  any idea comes from a previous idea and
-determines another idea, like an infinite recurrent sequence.
-d) Sophisticalism:  the more unintelligible, ambiguous, unsolved,
-abstract, general... the better!
-[This is the style of some people...]
-e) Rejectivism:  a unconscious (and, at some degree, becoming
-mixed with conscious) will to a priori-ly repel somebody else's
-system, and totally or partially replace it with yours own.
-f) Paradoxism:  any philosophical idea is true and false in the
-same time.
-Law of the paradoxism:
-     Nothing is non-contradictory.
-     Nature's essence is antonymic.
-     J)   Logical and Combinatory Modeling in Experimental
-Literature:
-a) An Avant-garde Literary Movement, the Paradoxism
-(which uses mathematical paradoxes in artistic creations):
-the study of paradoxes as a discipline apart and their use in
-other fields.
-- The Basic Thesis of the Paradoxism:
-        everything has a meaning and a non-meaning
-        in a harmony each other.
-- The Essence of the Paradoxism:
-        a) the sense has a non-sense,
-          and reciprocaliy
-        b) the non-sense has a sense.
-- The Delimitation from Other Avant-gardes:
-     -the paradoxism has a significance,
-     while the dadaism, the lettrism, the absurd movement do not;
-     -the paradoxism especially reveals the contradictions,
-     the anti-nomies, the anti-theses, the anti-phrases,
-     the antagonism, the non-conformism, in other words the
-     paradoxes of anything (in literature, art, science),
-     while the futurism, cubism, abstractism and all other
-     avant-gardes do not focus on them.
-- The Directions of the Paradoxism:
-     -to use science methods (especially algoritms) for
-     generating (and also studying) contradictory literary and
-     artistic works;
-     -to create contradictory literary and artistic works
-     in scientific spaces (using scientific: symbols,
-     meta-language, matrices, theorems, lemmas, etc.).
-b) New Types of 'Mathematical' Poetry with Fixed Form
-(using paradoxes and tautologies):
-- Paradoxist Distich = a two-line poem such that the second one
-contradicts the first, but together they form a unitary meaning
-defining (or making connection with) the title.
-- Tautological Distich = an apparently redundant two-line poem,
-but together the redundant lines give a deeper meaning to the
-whole poem defining (or making connection with) the title.
-- Dualist Distich
-- Paradoxist Tertian
-- Tautological Tertian
-- Paradoxist Quatrain
-- Tautological Quatrain
-- Fractal Poem.
-c) New Types of Short Story:
-- Syllogistic Short Story
-- Circular Short Story
-(F.Smarandache, "Infinite Tale", 1997)
-d) New Types of Drama:
-- Neutrosophic Drama
-- Sophistic Drama
-- Combinatory Drama = a drama whose scenes are permuted and
-combined in so many ways producing over a billion of billions of
-different dramas!  (F.Smarandache, "Upside-Down World", 1993)
-     Similar definitions for other types of poems, of short
-stories, and of dramas.
-</pre>
-</html>
+       A) Definition:
+       Transdisciplinarity means to find common features to
+  uncommon entities:  i.e., &lt;A> ü &lt;Non-A> is different from the
+  empty set, even if they are disjoint.
+       B) Multi-Structure and Multi-Space:
+       Let S1 and S2 be two distinct structures, induced by the
+  group of laws L which verify the axiom groups A1 and A2
+  respectively, such that A1 is strictly included in A2.
+  One says that the set M, endowed with the properties:
+  a) M has an S1-structure,
+  b) there is a proper subset P (different from the empty set ü,
+  from the unitary element with respect to S2, and from M) of the
+  initial set M which has an S2-structure,
+  c) M doesn't have an S2-structure,
+  is called an S1-structure with respect to S2-structure.
+       Let S1, S2, ..., Sk be distinct space-structures.
+  We define the Multi-Space (or k-Structured Space) as a set M such
+  that for each structure Si, 1 &lt;= i &lt;= k, there is a proper
+  (different from the empty set, from the unitary element with respect to Si,
+  and from M) subset Mi of it which has that structure.  The M1,
+  M2, ..., Mk proper subsets are different two by two.
+  (F.Smarandache, "Mixed Non-euclidean Geometries", 1969)
+       Similarly one can define the Multi-Group, Multi-Ring, Multi-
+  Field, Multi-Lattice, Multi-Module, etc. -
+  which may be generalized to Infinite-Structured-Space,
+  Infinite-Structured-Group, and so on.
+       Let's introduce new terms:
+       C) Psychomathematics:
+  A discipline which studies psychological processes in connection
+  with mathematics.
+       D) Mathematical Modeling of Psychological Processes:
+  a) Improvement of Weber's and Fechner's Laws on sensations and
+  stimuli.
+       According to the neutrosophic theory, between an &lt;idea> (=
+  spiritual) and an &lt;object> (= material) there are infinitely many
+  states.
+  Then , how can we mix an &lt;idea> with an &lt;object> and obtain
+  something in between: s% spiritual and m% material (s+m = 100)?
+  [kind of chemical alloy].
+  Or, as Boethius, a founder of scholasticism, urged to "join faith
+  to reason" in order to reconcile the Christian judgement with the
+  rational judgement.
+       For example &lt;mind> and &lt;body> co-exist.  Gustav Theodor
+  Fechner, who inaugurated the experimental psychology, obsessed
+  with this problem, advanced the theory that every object is both
+  mental and physical (psychophysics).
+  Fechner's Law, S = k log R, with S the sensation, R the stimulus,
+  and k a constant,
+  which is derived from Weber's Law, Delta R / R = k, with Delta R the
+  increment of stimulus just detectable,
+  should be improved, because the function log R is indefinitely
+  increasing as R ---> ü, to
+               ln R
+     S(R) = k -------, for R in [Rm, RM],
+               ln RM
+  and
+     S(R) = 0, for R in [0, Rm) union with (RM, ü),
+  where k is a positive constant depending on three parameters:
+  individual being, type of sensation, and the kind of stimulus,
+  and Rm, RM represent the minimum and maximum stimulus magnitude
+  respectively perceptible by the subject,
+  the second one bringing about the death of sensation.
+  Fechner's "functional relation", as well as later psychologists'
+  power law R = kS^n, with n depending on the kind of stimulus, were
+  upper unbounded, while the beings are surely limited in
+  perception.
+     S: [0, ü) ---> {0} union with [Sm, SM], with Sm, SM the minimum
+  and maximum perceptible sensation respectively.
+  Of course Rm > 1, S(Rm) = Sm, and S(RM) = SM = k.
+  Ln, increasing faster, replaces log because the sensation is more
+  rapidly increasing at the beginning, and later going on much
+  slower.
+  At R = RM, S attaints its maximum, beyond whom it becomes flat
+  again, falling to zero.
+  The beings have a low and high threshold respectively, a range
+  where they may feel a sensation.
+  Graph of Fechner's Law Improvement:
+                     /\
+                   S |
+                     |
+                   -----------------------.------
+                  SM |                .
+                     |             .
+                     |           .
+                     |         .
+                     |       .
+                     |      .
+                   --------.----------------------
+                  Sm |
+                     |
+                     |......______________........>
+      Rm             RM     R
+       For example in acoustics:  a sound is not heard at the
+  beginning and, if it constantly keeps enlarging its intensity, at
+  a given moment we hear it, and for a while its loudness increases
+  in our ears, until the number of decibels - getting bigger than
+  our possibility of hearing - breaks our eardrums...  We would not
+  hear anything anymore, our sensation died...
+       Now, if at a given moment t0 the stimulus R remains constant
+  equal to R0 (between the conscious limits of the being, for a
+  long period of time t), and the sensation S(R0) = c, then we get
+  the following formulas:
+   In the case when the stimulus in not physically or
+  physiologically damaging the individual being:
+  Sdec(t) = c log1/e(t+1/e) = -c ln(t+1/e),
+  for 0 &lt;= t &lt;= exp(-Sm/c)-1/e, and 0 otherwise;
+  which is a decreasing function;
+   In the case when the stimulus is hurting the individual being:
+  Sinc(t) = c ln(t+e), for 0 &lt;= t &lt;= exp(SM/c)-e, and 0 otherwise;
+  which is an increasing function until the sensation reaches its
+  upper bound;
+  where c, as a constant, depends on individual being, type of
+  sensation, and kind of stimulus.
+       Examples:
+  ü If a prisoner feels a constant smell in his closed room for
+  days and days, isolated from the exterior, and he doesn't go
+  outside to change the environment, he starts to feel it less and
+  less and after a critical moment he becomes inured to the smell
+  and do not feel it anymore -
+  thus the sensation disappears under the low perceptible limit.
+  ü If a water drop licks constantly, at the same interval of time,
+  with the same intensity, on the head of a prisoner tied to a
+  pillar, the prisoner after a while will feel the water drop
+  heavier and heavier, will mentally get ill and out of his mind,
+  and will even physically die -
+  therefore again disappears the sensation, but above the high
+  limit.  See how one can kill someone with a... water drop!
+  ü If one permanently plays the same song for days and days to a
+  person enclosed in a room without any other noise from outside,
+  that person will be driven crazy, even psychologically die, and
+  the sensation will disappear.
+       Weber's Law can be improved to Delta R / ln R = k, with R
+  defined on [Rm, RM], where k is a constant depending on individual
+  being, type of sensation, and kind of stimulus,
+  due to the fact that the relative threshold Delta R increases slower
+  with respect to R.
+       Let's propose a
+  b) Synonymity Test,
+  similar to, and an extension of, the antonym test in psychology,
+  would be a verbal test where the subject must supply as many as
+  possible synonyms of a given word within a as short as possible
+  period of time.
+  How to measure it?
+  The spectrum of supplied synonyms (s), within the measured period
+  of time (t), shows the subject's level of linguistic neutrosophy:
+  s/t.
+       E) Psychoneutrosophy:
+  Psychology of neutral thought, action, behavior, sensation,
+  perception, etc.  This is a hybrid field deriving from
+  psychology, philosophy, economics, theology, etc.
+  For example, to find the psychological causes and effects of
+  individuals supporting neutral ideologies (neither capitalists,
+  nor communists), politics (not in the left, not in the right),
+  etc.
+       F) Socioneutrosophy:
+  Sociology of neutralities.
+  For example the sociological phenomena and reasons which
+  determine a country or group of people or class to remain neuter
+  in a military, political, ideological, cultural, artistic,
+  scientific, economical, etc. international or internal war
+  (dispute).
+       G) Econoneutrosophy:
+  Economics of non-profit organizations, groups, such as: churches,
+  philanthropic associations, charities, emigrating foundations,
+  artistic or scientific societies, etc.
+  How they function, how they survive, who benefits and who loses,
+  why are they necessary, how they improve, how they interact with
+  for-profit companies.
+       H) New Types of Philosophies:
+  a) Object Philosophy:  a building through its architecture, a
+  flower, a bird flying, etc. any object are all ideas, or inspire
+  ideas - which are not necessarily to be written down on the paper
+  because they would lose their naturalness and their essence would
+  be distorted.
+  The philosophy should consequently have a universal language, not
+  clinged to a specific language (how to translate, for example,
+  Heidegger's dassein, and why to entangle in a notion, syntagme,
+  or word?!).
+  b) Concrete Philosophy:  a drawing, a painting, a canvas, any
+  two-dimensional picture are all ideas and inspire ideas.
+  c) Sonorous Philosophy:  a symphony melody, the jazz music, a
+  sound, any noise are all ideas, or inspire ideas - because they
+  directly work with our unconsciousness.
+  d) Fuzzy Philosophy:  there is only a fuzzy border between &lt;A>
+  and &lt;Non-A> and, in consequence, elements which belong (with a
+  certain probability) to both of them, even to &lt;A> and &lt;Anti-A>.
+  Like the clouds in the sky.
+  An element e belongs 70% to &lt;A> and 30% to &lt;Non-A>.  Or, more
+  organic, e belongs 70% to &lt;A>, 20% to &lt;Neut-A> and 10% to &lt;Anti-
+  A> for example.
+  The di-chotomy between &lt;A> and &lt;Non-A> may be substituted with
+  trichotomy (&lt;A>, &lt;Neut-A>, &lt;Anti-A>) according to our three\ory,
+  and by generalization in a similar way, with plurichotomy onward
+  to transchotomy [ü-chotomy] (continuum-power shades among &lt;A>,
+  &lt;Neut-A>, and &lt;Anti-A>).
+  And, when the probability is involved, fuzzy-chotomy, or more:
+  neutro-chotomy.
+  d) Applied Philosophy:  philosophical knowledge (such as:
+  proverbs, aphorisms, maxims, fables, stories) used in our every
+  day's life.
+  e) Experimental Philosophy:  philosophical checking and studying
+  of strange, bizarre ideas.
+  f) Futurist Philosophy:  ideas created by machines, robots,
+  computers using artificial intelligence;
+  this is the philosophy of tomorrow.
+  g) The main thesis of the Fonfoist Philosophy is:
+  A 31dh972`4t` ;  Re euhwu KK   uoe ,,T  iehewllue;n 8 'ei e
+  pE ecb;w |  ehe eIc w'eweiw u821-34 6r3jMenc 0e ek3 Lc]m 3- f]3-
+[S 871]3j kjNec743 cwe]9-3 ]w,rU '3m 0fi re4-.
+       This is because philosophy is a tautology, and every
+  sentence is formally true in a certain referential system.  Every
+  senseless proposition has a sense.
+  Then, what's the meaning of this thesis?
+  (F. Smarandache, "NonNovel", 1993).
+  h) Nonphilosophy:
+       To make philosophy by not doing any philosophy at all!
+  Like a mutism.
+  Everything may mean philosophy:  a graffiti (having no words, no
+  letters), any scientific sign or expression displayed on the
+  page...
+  A poem is a philosophical system.  A physics law, a chemical
+  formula, a mathematical equation too.
+  For example, a blank page also means an idea, a natural
+  phenomenon as well.
+  Due to the fact that they all make you reflect, meditate, think.
+  This nonphilosophy becomes, paradoxically, a new kind a
+  philosophy!
+       I) New Types of Philosophical Movements:
+  a) Revisionism:  to review all the philosophical systems, ideas,
+  phenomena, schools, thinkers and rewrite the philosophy as a
+  cumulus of summum bonum.
+  b) Inspirationalism:  to look to antecedents for clues and
+  contemporaries for inspiration to get your own research methods
+  and original system.
+  c) Recurrentism:  any idea comes from a previous idea and
+  determines another idea, like an infinite recurrent sequence.
+  d) Sophisticalism:  the more unintelligible, ambiguous, unsolved,
+  abstract, general... the better!
+  [This is the style of some people...]
+  e) Rejectivism:  a unconscious (and, at some degree, becoming
+  mixed with conscious) will to a priori-ly repel somebody else's
+  system, and totally or partially replace it with yours own.
+  f) Paradoxism:  any philosophical idea is true and false in the
+  same time.
+  Law of the paradoxism:
+       Nothing is non-contradictory.
+       Nature's essence is antonymic.
+       J)   Logical and Combinatory Modeling in Experimental
+  Literature:
+  a) An Avant-garde Literary Movement, the Paradoxism
+  (which uses mathematical paradoxes in artistic creations):
+  the study of paradoxes as a discipline apart and their use in
+  other fields.
+  - The Basic Thesis of the Paradoxism:
+          everything has a meaning and a non-meaning
+          in a harmony each other.
+  - The Essence of the Paradoxism:
+          a) the sense has a non-sense,
+            and reciprocaliy
+          b) the non-sense has a sense.
+  - The Delimitation from Other Avant-gardes:
+       -the paradoxism has a significance,
+       while the dadaism, the lettrism, the absurd movement do not;
+       -the paradoxism especially reveals the contradictions,
+       the anti-nomies, the anti-theses, the anti-phrases,
+       the antagonism, the non-conformism, in other words the
+       paradoxes of anything (in literature, art, science),
+       while the futurism, cubism, abstractism and all other
+       avant-gardes do not focus on them.
+  - The Directions of the Paradoxism:
+       -to use science methods (especially algoritms) for
+       generating (and also studying) contradictory literary and
+       artistic works;
+       -to create contradictory literary and artistic works
+       in scientific spaces (using scientific: symbols,
+       meta-language, matrices, theorems, lemmas, etc.).
+  b) New Types of 'Mathematical' Poetry with Fixed Form
+  (using paradoxes and tautologies):
+  - Paradoxist Distich = a two-line poem such that the second one
+  contradicts the first, but together they form a unitary meaning
+  defining (or making connection with) the title.
+  - Tautological Distich = an apparently redundant two-line poem,
+  but together the redundant lines give a deeper meaning to the
+  whole poem defining (or making connection with) the title.
+  - Dualist Distich
+  - Paradoxist Tertian
+  - Tautological Tertian
+  - Paradoxist Quatrain
+  - Tautological Quatrain
+  - Fractal Poem.
+  c) New Types of Short Story:
+  - Syllogistic Short Story
+  - Circular Short Story
+  (F.Smarandache, "Infinite Tale", 1997)
+  d) New Types of Drama:
+  - Neutrosophic Drama
+  - Sophistic Drama
+  - Combinatory Drama = a drama whose scenes are permuted and
+  combined in so many ways producing over a billion of billions of
+  different dramas!  (F.Smarandache, "Upside-Down World", 1993)
+       Similar definitions for other types of poems, of short
+  stories, and of dramas.
 [[Category Physics]]