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| the_art_of_futuring [2019-03-12 17:34] – maja | the_art_of_futuring [2019-03-13 09:50] – maja |
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| ===== The Art Of Futuring ===== | ===== The Art Of Futuring ===== |
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| <blockquote>To describe the creative process of exploring futures, we use the term 'futuring'. We could have chosen other phrases such as 'future studies', 'speculative design' or 'strategic foresight', but 'to future' as a verb encapsulates the engaged, active attitude that we believe is essential when sending probes into these realms. Futuring can be a complex activity involving many facets, or it can be as simple as telling a story that begins with 'What if…'. The process can be individual but is often a collective, participatory exercise. It tends to work best when different modes of knowing and learning are involved – from analytical to generative and synthesising, rational to somatic, intuitive and interpersonal. | The purpose of futuring is not to predict the future. Instead, futuring is a way to inform your decisions and actions in the present. It allows you to let go of the status-quo and imagine how situations could develop otherwise. Futuring can situate your visions and ideas in the wider contexts in which you operate. Imagining a range of possible futures can help you articulate coherent visions while also developing a capacity to adapt to whatever the future might bring. |
| </blockquote> | |
| | To describe the creative process of exploring futures, we use the term 'futuring'. We could have chosen other phrases such as 'future studies', 'speculative design' or 'strategic foresight', but 'to future' as a verb encapsulates the engaged, active attitude that we believe is essential when sending probes into these realms. Futuring can be a complex activity involving many facets, or it can be as simple as telling a story that begins with 'What if…'. The process can be individual but is often a collective, participatory exercise. It tends to work best when different modes of knowing and learning are involved – from analytical to generative and synthesising, rational to somatic, intuitive and interpersonal. |
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| * https://fo.am/events/art-futuring/ | * https://fo.am/events/art-futuring/ |
| * https://fo.am/events/art-futuring-workshop/ | * https://fo.am/events/art-futuring-workshop/ |
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| The purpose of futuring is not to predict the future. Instead, futuring is a way to inform your decisions and actions in the present. It allows you to let go of the status-quo and imagine how situations could develop otherwise. Futuring can situate your visions and ideas in the wider contexts in which you operate. Imagining a range of possible futures can help you articulate coherent visions while also developing a capacity to adapt to whatever the future might bring. | The workshop is designed and facilitated by Maja Kuzmanovic (FoAM), as part of the Futurology of Co-Operation project by Anna Czapski & Diederik Peeters, supported by KASK, SPIN and Kunstenpunt. |
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| | Workshop participants: Bilal Alnouri, Hazal Arda, Anna Czapski, Delphine Hesters, Pierre Huyghebaert, Joris Janssens, Heike Langsdorf, Sarah Magnan, Mathilde Maillard, Diederik Peeters, Martina Petrovic, Anna Rispoli, Clara Thomine, Emmanuelle Wattier, Adva Zakai |
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| | {{ ::aof-workshop-schedule.pdf |Workshop schedule}}\\ |
| | [[https://www.flickr.com/photos/foam/albums/72157705907755211|Photo album]]\\ |
| | {{::futurestechniques_march2019_notesdelphine.pdf |Notes from the workshop}} by Delphine Hesters |
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| The workshop is designed and facilitated by FoAM Earth, as part of the Futurology of Co-Operation project by Anna Czapski & Diederik Peeters, supported by KASK, SPIN and Kunstenpunt. | |
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| ===== Futuring Techniques ===== | ===== Futuring Techniques ===== |
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| The Art of Futuring Workshop offered a hands-on experience of futuring techniques for artists, arts organisations and other members of the cultural proletariat. Futuring techniques were introduced through experiential learning. We experimented with techniques for analysing the current situation and emergent signals. We speculated on future scenarios and prototype futures as embodied experiences in the present. We used these experiments to reflect on the futuring methods, on the applicability of futuring in the participants' work and life, and on the need for a more widespread futures literacy in uncertain times. | The Art of Futuring Workshop offered a hands-on experience of futuring techniques for artists, arts organisations and other members of the cultural proletariat. Futuring techniques were introduced through experiential learning. We experimented with techniques for analysing the current situation and emergent signals. We speculated on future scenarios and prototype futures as embodied experiences in the present. We used these experiments to reflect on the futuring methods, on the applicability of futuring in the participants' work and life, and on the need for a more widespread futures literacy in uncertain times. |
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| <blockquote>The conundrum of the Unthinkable and the Unimaginable is everyone’s issue – certainly not just ‘futurists’, nor designers, nor those who happen to have dedicated themselves to political theory or activism; nor just the displaced former residents of New Orleans, nor yet the casualties of Detroit’s seemingly inexorable decline. It is everyone’s problem. Futures studies is a community of thinkers that has defined and directly addressed it as such. But the Great Conversation needs to belong to us all, as do all the discursive technologies, principles of experiential futures design, and other paraphernalia of wiser, ongoing conversation and political self-reinvention. | <blockquote>The conundrum of the Unthinkable and the Unimaginable is everyone’s issue – certainly not just ‘futurists’, nor designers, nor those who happen to have dedicated themselves to political theory or activism; nor just the displaced former residents of New Orleans, nor yet the casualties of Detroit’s seemingly inexorable decline. It is everyone’s problem. Futures studies is a community of thinkers that has defined and directly addressed it as such. But the Great Conversation needs to belong to us all, as do all the discursive technologies, principles of experiential futures design, and other paraphernalia of wiser, ongoing conversation and political self-reinvention. |
| —Stuart Candy, The Futures of Everyday Life | —Stuart Candy, The Futures of Everyday Life |
| </blockquote> | </blockquote> |
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nik