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| transiency_rasa_alksnyte [2016-11-11 21:56] – rasa | transiency_rasa_alksnyte [2016-11-11 22:07] – rasa |
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| For a few weeks i've been exploring the possibilities of my new old Nikon F4 and getting more familiar with many buttons and what can it do. I like it. Very slowly we start to understand each other. I feel it is a beginning of a good and long relationship... | For a few weeks i've been exploring the possibilities of my new old Nikon F4 and getting more familiar with many buttons and what can it do. I like it. Very slowly we start to understand each other. I feel it is a beginning of a good and long relationship... |
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| "Movies are made from out of darkness as well as light; it is the surpassingly brief intervals of darkness between each luminous still image that makes it possible to assemble the many images into one moving picture. Without that darkness, there would only be a blur. Which is to say that a full-length movie consists of half an hour or an hour of pure darkness that goes unseen. If you could add up all the darkness, you would find the audience in the theatre gazing together at a deep imaginative night." | "Movies are made out of darkness as well as light; it is the surpassingly brief intervals of darkness between each luminous still image that makes it possible to assemble the many images into one moving picture. Without that darkness, there would only be a blur. Which is to say that a full-length movie consists of half an hour or an hour of pure darkness that goes unseen. If you could add up all the darkness, you would find the audience in the theatre gazing together at a deep imaginative night." |
| Rebecca Solnit "A field guide to getting lost" | Rebecca Solnit "A field guide to getting lost" |
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