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--- transiency_rasa_alksnyte [2016-12-19 12:51] – rasa
+++ transiency_rasa_alksnyte [2016-12-19 18:26] – rasa
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-Someone once has said "You have to write when nothing is happening". Last month was very far from "nothing" and not "lying fallow" at all. Rentals one after the other, cooking for large groups, workshops with kids and autistic group, design and production of pop up co-working space at Burning ice festival and several coaching sessions for different artist it is only a few things i remember. Not taking into account trying to pay as much as possible attention to the things happening at home. The plants are always the first to give me the sign that my focus has drifted elsewhere. Both at home and FoAM my green companions are a little in trouble. Caring for plans is not enough just to pour some water from time to time. Dead leafs has to be removed, green ones wiped out clean, unneeded shoots cut off and so on. Well but people need even more attention: Faust having to go trough his first set of exams, while Jura swimming trough almost the last ones, Pieter facing some intense times at his almost not new anymore job, and fast approaching festive season with present hunting... It is amazing how important to stay calm in such times. I often wonder what if i can't ? What if the darkness of the season gets to my bones too? And i feel it very closely this year. The fear and panic of not knowing how the next year will work out is present extremely closely. It is not easy to be pushing it away and telling your self that the transiency hasn't ended yet. There are still things to explore and search for. Luckily the autumn has been sunny and unusually dry. Sun really helps. It pushes me to pick up my camera and go outside. Focusing on the tiny bits of leaves, shadows and landscape line it is more of a therapy than an art practice at this stage.
+Someone once said "You have to write when nothing is happening". Last month was very far from "nothing" and not "lying fallow" at all. Rentals one after the other, cooking for large groups, workshops with kids and the autistic group, design and production of a pop up co-working space at Burning ice festival and several coaching sessions for different artists. These are only a few things i remember. Not taking into account trying to pay as much as possible attention to the things happening at home. The plants are always the first to give me a sign that my focus has drifted elsewhere. Both at home and FoAM my green companions are a little in trouble. Caring for plants is not sufficient by just pouring some water from time to time. Dead leafs have to be removed, green ones wiped out clean, unneeded shoots cut off and so on. Well but people need even more attention: Faust having to go trough his first set of exams, while Jura swimming trough almost the last ones, Pieter facing some intense times at his almost not new anymore job, and a fast approaching festive season with present hunting... It is amazing how important it is to stay calm in such times. I often wonder what if i can't ? What if the darkness of the season gets to my bones too? And i feel it very closely this year. The fear and panic of not knowing how the next year will work out is present extremely closely. It is not easy to be pushing it away and telling your self that the transiency hasn't ended yet. There are still things to explore and search for. Luckily the autumn has been sunny and unusually dry. Sun really helps. It pushes me to pick up my camera and go outside. Focusing on the tiny bits of leaves, shadows and landscape line. It is more of a therapy than an art practice at this stage.
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-It was also an important month in the FoAM transiency. Even all of the core team was in Brussels we didn't manage to meet for more in depth conversations. And even if we did, we were interrupted by many things to do in between. Like never before i had to remind my self one of the Open Space principles - "Whatever happens is the best thing that could have happend ". It suited very well in the past month and helped to stay open. Finally we have taken maybe the most important decision at this time - to let go of the studio. It is a little sad and sentimental but very relieving as well. Now we just have to figure out the practicalities of it.
+It was also an important month in the FoAM transiency. Even when all of the core team was in Brussels we didn't manage to meet for more in depth conversations. And even if we did, we were interrupted by many things to do in between. Like never before i had to remind my self one of the Open Space principles - "Whatever happens is the best thing that could have happend ". It suited very well in the past month and helped to stay open. Finally we have taken maybe the most important decision at this time - to let go of the studio. It is a little sad and sentimental but very relieving as well. Now we just have to figure out the practicalities of it.
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-For my self i want to concentrate on working with several performing artists as mentor as well as investigate if i could get a grant or some funding to develop a "tool box" to guide creative process for autistic people. I believe they have greater creative potential but most of the time they get thought primitive techniques for some simple activities rather than guiding them to think and create what their imagination tels them. So far my short interventions with the group i Geel was immensely rewording. We didn't do much. Most of the time just walking, stopping, observing, trying to talk about it. I had to realise that ordinary facilitation techniques don't work for such groups. There is no core to address to, its a group of individuals that has completely different relation to every little step you take. And all of their observations and feelings has to be noticed and accommodated. Nevertheless when the safe environment is created and the task is very clear they do play by the rules with enormous honesty and commitment. But what touches me most is the beauty of every person involved. Some of them are older and found some ways to deal with their shortcomings, some of them just starting to understand how to be. It reminds me of onion - when you break the peel you start crying by seeng the naked flesh of it. By talking to them i see the sadness and frustration but when they smile and finally look me in the eye i know it is not faked and equals a million smiles of the other people.
+For my self i want to concentrate on working with several performing artists as mentor as well as investigate if i could get a grant or some funding to develop a "tool box" to guide a creative process for autistic people. I believe they have greater creative potential but most of the time they get thought primitive techniques for some simple activities rather than guiding them to think and create what their imagination tells them. So far my short interventions with the group in Geel has been immensely rewarding. We didn't do much. Most of the time just walking, stopping, observing, trying to talk about it. I had to realise that ordinary facilitation techniques don't work for such groups. There is no core to address to, its a group of individuals that has completely different relation to every little step you take. And all of their observations and feelings has to be noticed and accommodated. Nevertheless when a safe environment is created and the task is very clear they do play by the rules with enormous honesty and commitment. But what touches me most is the beauty of every person involved. Some of them are older and found some ways to deal with their shortcomings, some of them are just starting to understand how to be. It reminds me of an onion - when you break the peel you start crying by seeng the naked flesh of it. By talking to them i see the sadness and frustration but when they smile and finally look me in the eye i know it is not faked and equals a million smiles of the other people.
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