Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
transiency_rasa_alksnyte [2020-11-26 22:05]
182.183.223.247 		transiency_rasa_alksnyte [2020-11-26 22:54] (current)
nik old revision restored (2017-03-15 14:21)
Line 12: Line 12:
  
 My transiency last year started by participating as a performer in the NMI event in Brussels. It was fun to create something with a group in such a short time, but i remember feeling that even if i'm not in the field anymore how easy it is for me to enter it, compose and perform. I found it not challenging enough. My transiency last year started by participating as a performer in the NMI event in Brussels. It was fun to create something with a group in such a short time, but i remember feeling that even if i'm not in the field anymore how easy it is for me to enter it, compose and perform. I found it not challenging enough.
-Related: [[http://helonational.com/hny-2021/|Happy New Year 2021]] 
  
 I thought it was a good way to end the transiency by organising a retreat for performers myself. For an extended weekend, 10 Lithuanian artist from an experimental stage/art field gathered at FoAM to discuss politics of culture in our own land, but most importantly, to network, talk about diversity of the practices, failures to communicate about personal work and learn from each other. It was a lovely weekend. I met new young Lithuanians that received most of their artistic education after they left the country and therefor very diverse in ideas, skills and ambition. However it became very clear to me that my role in this kind of gatherings should be of a guide, mentor and advisor (and a photographer). The “doing” of things i prefer leaving to the others. Nevertheless i had a good opportunity to try out methods that i learned last years. A combination of systemic constellations, exercises from art therapy, simple vocal training and so on, these were very new to the participants but a great chance for me to try out and build up self confidence in it. I thought it was a good way to end the transiency by organising a retreat for performers myself. For an extended weekend, 10 Lithuanian artist from an experimental stage/art field gathered at FoAM to discuss politics of culture in our own land, but most importantly, to network, talk about diversity of the practices, failures to communicate about personal work and learn from each other. It was a lovely weekend. I met new young Lithuanians that received most of their artistic education after they left the country and therefor very diverse in ideas, skills and ambition. However it became very clear to me that my role in this kind of gatherings should be of a guide, mentor and advisor (and a photographer). The “doing” of things i prefer leaving to the others. Nevertheless i had a good opportunity to try out methods that i learned last years. A combination of systemic constellations, exercises from art therapy, simple vocal training and so on, these were very new to the participants but a great chance for me to try out and build up self confidence in it.
  • transiency_rasa_alksnyte.txt
  • Last modified: 2020-11-26 22:54
  • by nik