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===== I. RESEARCH TOPICS ===== | ===== I. RESEARCH TOPICS ===== | ||
==== 1. IDEOLOGIES & DOCTRINES === | ==== 1. IDEOLOGIES & DOCTRINES === | ||
- | === CIVIL RIGHTS === | + | === Anarchism |
- | === PRIVACY === | + | |
- | === Transparency & accountability === | + | |
- | === Secrecy === | + | |
- | === Open society === | + | |
- | === Liberalism | + | |
=== Libertarianism === | === Libertarianism === | ||
- | === Totalitarianism | + | === Liberalism === |
+ | === Open society | ||
=== Police state === | === Police state === | ||
+ | === Totalitarianism === | ||
=== Shock doctrine === | === Shock doctrine === | ||
+ | === Civil rights === | ||
+ | === Privacy === | ||
+ | === Panopticon === | ||
+ | === Transparancy & accountability === | ||
+ | === Secrecy === | ||
+ | ==== 2. PROGRAMS & PRACTICES ==== | ||
+ | === Total Information Awareness === | ||
+ | === Security privatization === | ||
+ | === Insurance policies === | ||
+ | === Employee surveillance === | ||
+ | === Pay/get paid to give up privacy === | ||
+ | === Target marketing === | ||
+ | ==== 3. TECHNOLOGIES ==== | ||
+ | === Audiovisual surveillance === | ||
+ | === Biometrics === | ||
+ | === Browser histories === | ||
+ | === Crowd control === | ||
+ | === Data mining === | ||
+ | === Databases === | ||
+ | === Data mining === | ||
+ | === Encryption === | ||
+ | === High resolution photography === | ||
+ | === Identity documents === | ||
+ | === Network-centric warfare === | ||
+ | === Networks === | ||
+ | === Non-lethal weapons === | ||
+ | === Police militarization === | ||
+ | === Radio-frequency identification === | ||
+ | === Web-based geographic visualisation === | ||
+ | ==== 4. COUNTER-FORCES ==== | ||
+ | ==== 5. CRITICAL THEORY ==== | ||
+ | ==== 6. CULTURAL REPRESENTATIONS ==== | ||
+ | ==== 7. SOCIOLOGY & PSYCHOLOGY ==== | ||
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+ | \\ | ||
\\ | \\ | ||
===== II. Resources ===== | ===== II. Resources ===== | ||
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"One of the works that received an honorary mention at the Prix Ars Electronica in the Net Vision category is Tracking Transience: The Orwell Project, a collection of photographs with a web based companion that tracks Hasan M. Elahi and his movements in real-time, from the last meal he ate to the last public urinal he visited. Between June and November 2002, Elahi had been the subject of an investigation by the FBI as a possible terrorist suspect. He was at a residency overseas while this was initiated. Upon returning home, the artist spent 6 months frequently meeting with FBI agents who wanted to know every detail of everything, explains Elahi: What was I doing there? Who was I speaking with? What did I see? Where did I sleep? And even down to what I ate and drank. I was eventually cleared and to the relief of my friends, family and co-workers, I am officially no longer considered a terrorist – after a 3 hour long polygraph exam which was repeated 9 times. Tracking Transience uses modern technologies to document every aspect of his life. Inspired by the " | "One of the works that received an honorary mention at the Prix Ars Electronica in the Net Vision category is Tracking Transience: The Orwell Project, a collection of photographs with a web based companion that tracks Hasan M. Elahi and his movements in real-time, from the last meal he ate to the last public urinal he visited. Between June and November 2002, Elahi had been the subject of an investigation by the FBI as a possible terrorist suspect. He was at a residency overseas while this was initiated. Upon returning home, the artist spent 6 months frequently meeting with FBI agents who wanted to know every detail of everything, explains Elahi: What was I doing there? Who was I speaking with? What did I see? Where did I sleep? And even down to what I ate and drank. I was eventually cleared and to the relief of my friends, family and co-workers, I am officially no longer considered a terrorist – after a 3 hour long polygraph exam which was repeated 9 times. Tracking Transience uses modern technologies to document every aspect of his life. Inspired by the " | ||
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