Differences
This shows you the differences between two versions of the page.
| Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision | ||
| two_legged_research [2021-10-14 08:04] – cocky | two_legged_research [2021-10-14 08:24] – cocky | ||
|---|---|---|---|
| Line 12: | Line 12: | ||
| * The Rhythm of walking generates a kind of rhythm of thinking, and the passage through a landscape echoes or stimulates the passage through a series. This creates an odd consonance between internal and external passage, one that suggests athat the mind is also a landscape of sorts and that walking is one way to traverse it. Rebecca Solnit, Wanderlust: a history of walking. | * The Rhythm of walking generates a kind of rhythm of thinking, and the passage through a landscape echoes or stimulates the passage through a series. This creates an odd consonance between internal and external passage, one that suggests athat the mind is also a landscape of sorts and that walking is one way to traverse it. Rebecca Solnit, Wanderlust: a history of walking. | ||
| * she describes walking as a state in which the mind, the body and the world are alingned, as though they were three characters finally in concersation with each other, three notes suddenly make a chord. According to Solnit, the walking agreement not only provides a pleasant or healing feeling, which we all know, but also promotes creativity; during the walk, the passing landscape becomes, as it were, intertwined with your thought world, which also becomes a landscape. The new ideas that gradually emerge feel more familiar than usual. As though thinking were travelling rather than making. | * she describes walking as a state in which the mind, the body and the world are alingned, as though they were three characters finally in concersation with each other, three notes suddenly make a chord. According to Solnit, the walking agreement not only provides a pleasant or healing feeling, which we all know, but also promotes creativity; during the walk, the passing landscape becomes, as it were, intertwined with your thought world, which also becomes a landscape. The new ideas that gradually emerge feel more familiar than usual. As though thinking were travelling rather than making. | ||
| - | * "a thought only gains value after it has been walked through" | + | * "A thought only gains value after it has been walked through" |
| * landing Sites Cocky Eek; https:// | * landing Sites Cocky Eek; https:// | ||
| - | * My footsteps make the mark. My legs carry me across the country. It's like a way of measuring the world. I love that connection to my own body. It's to me the world. Richard long. interview by Higgins, Charlotte. The Guardian, June 15, 2012 | + | * My footsteps make the mark. My legs carry me across the country. It's like a way of measuring the world. I love that connection to my own body. It's to me the world. Richard long. The Guardian, June 15, 2012. |
| + | * In the sixxties walkingart beacame a genre by itself. | ||
| * After the rains, the air smells fresh with ozone sap, and leaf litter, and my senses are alive with curiosity. Anna Tsing | * After the rains, the air smells fresh with ozone sap, and leaf litter, and my senses are alive with curiosity. Anna Tsing | ||
| Line 35: | Line 36: | ||
| * since the 60's walking itself became a form of art by itself. | * since the 60's walking itself became a form of art by itself. | ||
| * | * | ||
| - | * Buido van der Werve, in 2007 left with a small crew to the Botanical Golf, to make a movies where he slowly walks over ice, just in front of Sampo, a three and a half thousand ton icebreaker of the Finnish government. A risky venture, but delivered an iconic result: the film number eight, Everything is going to be all right. | + | * Guido van der Werve, in 2007 left with a small crew to the Botanical Golf, to make a movies where he slowly walks over ice, just in front of Sampo, a three and a half thousand ton icebreaker of the Finnish government. A risky venture, but delivered an iconic result: the film number eight, Everything is going to be all right. |
| + | * Monty Python; Ministry of silly Walks: https:// | ||
| assignment: from the exotics--- to the everyday surrounding , read text together....Embodied research in emergent Antropoceen landscapes. a walk as inspiration for a work or as a work itself... | assignment: from the exotics--- to the everyday surrounding , read text together....Embodied research in emergent Antropoceen landscapes. a walk as inspiration for a work or as a work itself... | ||
cocky