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two_legged_research [2021-10-14 08:24] – cocky | two_legged_research [2021-10-14 08:38] – cocky | ||
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* My footsteps make the mark. My legs carry me across the country. It's like a way of measuring the world. I love that connection to my own body. It's to me the world. Richard long. The Guardian, June 15, 2012. | * My footsteps make the mark. My legs carry me across the country. It's like a way of measuring the world. I love that connection to my own body. It's to me the world. Richard long. The Guardian, June 15, 2012. | ||
- | * In the sixxties walkingart beacame a genre by itself. | + | * In the sixxties walkingart beacame a genre by itself. |
* After the rains, the air smells fresh with ozone sap, and leaf litter, and my senses are alive with curiosity. Anna Tsing | * After the rains, the air smells fresh with ozone sap, and leaf litter, and my senses are alive with curiosity. Anna Tsing | ||
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walk step, moonwalk in between exercise: https:// | walk step, moonwalk in between exercise: https:// | ||
*landing sites, Cocky Eek; https:// | *landing sites, Cocky Eek; https:// | ||
- | *Richard Long: At the age of 22 Long made a work that would prove to be exemplary for his entire oeuvre: A Line Made by Walking (1967), an icon of Land Art. The actual artwork was the action itself and its result in the landscape. For this he walked a true line back and forth across a field of grass, until a path of flattened grass appeared. he took a picture of this in black and white. | + | *<fc #800000>Richard Long</fc>: At the age of 22 Long made a work that would prove to be exemplary for his entire oeuvre: A Line Made by Walking (1967), an icon of Land Art. The actual artwork was the action itself and its result in the landscape. For this he walked a true line back and forth across a field of grass, until a path of flattened grass appeared. he took a picture of this in black and white. |
The photograph itself is the least important part of this work. it was necessary in order to record the temporary outcome of Long's action and make it visible to a large audience. the actual work of art was the action itself and its result in the landscape itself. The actual artwork was the action itself and its result in the landscape. | The photograph itself is the least important part of this work. it was necessary in order to record the temporary outcome of Long's action and make it visible to a large audience. the actual work of art was the action itself and its result in the landscape itself. The actual artwork was the action itself and its result in the landscape. | ||
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+ | In the nature of things: | ||
+ | Art about mobility, lightness and freedom. | ||
+ | Simple creative acts of walking and marking | ||
+ | about place, locality, time, distance and measurement. | ||
+ | Works using raw materials and my human scale | ||
+ | in the reality of landscapes. | ||
+ | |||
+ | The music of stones, paths of shared footmarks, | ||
+ | sleeping by the river' | ||
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Francis Alÿs, strolls with critical thinking through world cities. so he enters a rich state of consciousness. which yields surprising videos. Francis Alÿs is known for using poetic and metaphorical techniques to highlight the political and social realities of his city. Often, the issues he addresses range from national border politics to globalism and areas of conflict in his community and the effects of modernism. | Francis Alÿs, strolls with critical thinking through world cities. so he enters a rich state of consciousness. which yields surprising videos. Francis Alÿs is known for using poetic and metaphorical techniques to highlight the political and social realities of his city. Often, the issues he addresses range from national border politics to globalism and areas of conflict in his community and the effects of modernism. |