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| two_legged_research [2021-10-14 09:43] – cocky | two_legged_research [2021-10-14 09:45] – cocky | ||
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| Francis Alÿs Paradox of Praxis 1 (Sometimes making something leads to nothing)https:// | Francis Alÿs Paradox of Praxis 1 (Sometimes making something leads to nothing)https:// | ||
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| - | The Lovers, The Great Wall Walk, Marina Abramovic and Ulay</ | + | <fc # |
| what walking means in cultural history: | what walking means in cultural history: | ||
| * Homeric bards, old wanderers for whom walking was a part of poetry | * Homeric bards, old wanderers for whom walking was a part of poetry | ||
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| * (source: | * (source: | ||
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| - | Relation in Space, Venice Biennale 1976. M; "our first performance was, Relation In Space in 1976 and was performed for the Venice Biennale. This idea of this piece was two naked bodies running and hitting each other frontally and increasing the speed for one hour. We really wanted to have this male and female energy put together and create something we called That Self." | ||
| - | The Great Wall Walk (1988) was based in the idea of the artists walking towards each other, in theirr early work, the pair walked toward each other over and over again with great physical concentration across a small space. in the great wall the while they converged across a fast distance, their walking invoved perhaps even more mental than physical effort. | + | * Relation in Space, Venice Biennale 1976. M; "our first performance was, Relation In Space in 1976 and was performed for the Venice Biennale. This idea of this piece was two naked bodies running and hitting each other frontally and increasing the speed for one hour. We really wanted to have this male and female energy put together and create something we called That Self." |
| + | |||
| + | * The Great Wall Walk (1988) was based in the idea of the artists walking towards each other, in theirr early work, the pair walked toward each other over and over again with great physical concentration across a small space. in the great wall the while they converged across a fast distance, their walking invoved perhaps even more mental than physical effort. | ||
| (source: | (source: | ||
| their experience from the state of walking and also of being in China resulted in works which were exhibited: | their experience from the state of walking and also of being in China resulted in works which were exhibited: | ||
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