Differences

This shows you the differences between two versions of the page.

--- two_legged_research [2021-10-14 09:49] – cocky
+++ two_legged_research [2021-10-19 09:20] – cocky
@@ Line 3: / Line 3: @@
 notes
-==== title ====
   * [[https://walkinglab.org/thewalkingneighbourhood/|link titel]]
-<blockquote>text nnnnyyuvytytytr
-</blockquote>
-introduction course Two Legged Research
+Two-legged Research
+is a course for true wanderers into an exploration of experimental walking.
+A walk can be considered as 'a transitory experience where our deep human rhytms coincide with their environment.'
+You will explore different methods with a particular focus on duration, instruction, navigation, rhythm, rest and movement.
+This course is inspired by diverse walking practices, from the ancient Songlines of the Australian continent, to the Drunken Dragon walks from China, from the migrations of animals and plants, to the tourist hike and audio tours, from the wandering philosophers and psycho-geographers, to the marching band and carnival parade.
+Which unexpected perceptions, questions, and revelations can walking lead us into? And how to compose a walk that can set us in an awe of wander (or wonder)?
+Walking - ‘Move at a regular pace by lifting and setting down each foot in turn, never having both feet off the ground at once’
+_____
 The Walking Seminar. Embodied Research Methodologies in emergent Anthropocene Landscapes https://issuu.com/artist-in-residence-ahk/docs/wandelkrant___insert_samengebonden. assignment: from the exotics--- to the everyday surrounding , read text together....Embodied research in emergent Antropoceen landscapes. a walk as inspiration for a work or as a work itself...
@@ Line 110: / Line 124: @@
-Their experience from the state of walking and also of being in China resulted in works which were exhibited:
+ Starting from two opposite points, they advanced towards each other for ninety days before coming together. Entitled The Lovers , this action marked not only the end of his relationship and artistic collaboration with Ulay, but also an emotional and creative rebirth. The artist considers The Lovers not as a performance, but rather as the 'conditioning' necessary to create a new work. Boat Emptying, Stream Entering; 3 objects which the audience is asked to use until the energy is transmitted: White Dragon: stand, head resting on a quartz pillow, looking down; Red Dragon: sitting, head resting on a quartz pillow, looking straight ahead; Green Dragon: lie down, head resting on a quartz pillow, looking up.
-Boat Emptying, Stream Entering; 3 objects which the audience is asked to use until the energy is transmitted: White Dragon: stand, head resting on a quartz pillow, looking down; Red Dragon: sitting, head resting on a quartz pillow, looking straight ahead; Green Dragon: lie down, head resting on a quartz pillow, looking up.
+ The public is invited to experience physically, with their head resting on a quartz or obsidian cushion and their body in contact with the copper, the degree of energetic emanation conveyed by the materials.
- The public is invited to experience physically, with their head resting on a quartz or obsidian cushion and their body in contact with the copper, the degree of energetic emanation conveyed by the materials. Starting from two opposite points, they advanced towards each other for ninety days before coming together. Entitled The Lovers , this action marked not only the end of his relationship and artistic collaboration with Ulay, but also an emotional and creative rebirth. The artist considers The Lovers not as a performance, but rather as the 'conditioning' necessary to create a new work. Boat Emptying, Stream Entering... , comes out of the  experience undergone during this journey. The legends were always about the different dragons: Green dragons/Black dragons/White dragons/Red dragons." Thus, the materials used here are  energy-laden intercessors intended to convey to the audience experience.
+Boat Emptying, Stream Entering... , comes out of the  experience undergone during this journey. The legends were always about the different dragons: Green dragons/Black dragons/White dragons/Red dragons." Thus, the materials used here are  energy-laden intercessors intended to convey to the audience experience.Their experience from the state of walking and also of being in China resulted in works which were exhibited amongst at Centre Pompidou.
@@ Line 118: / Line 132: @@
   * (https://territoriesofarttherapy.wordpress.com/2018/10/04/the-art-of-walking/)
+https://www.ahk.nl/onderzoek/artist-in-residence/2017-2018/nick-shepherd/