Future Fabulators
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| future_fabulators:future_fictions_references [2014-07-30 09:22] – maja | future_fabulators:future_fictions_references [2014-11-13 13:27] (current) – [Other exhibition catalogues] 193.190.120.3 | ||
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| FoAM's references to sort: https:// | FoAM's references to sort: https:// | ||
| + | Selection for Future Fictions: | ||
| + | https:// | ||
| - | From Karen Verschooren: | ||
| - | 1. Future Fictions kunstenaars, | + | **From Karen Verschooren: |
| - | VOLUME 13: Guilty Landscapes (2012). Co-authored by Unknown Fields (Liam Young) | + | ====Future Fictions kunstenaars, |
| - | + | ||
| - | El Ultimo Grito. Collapscapes. Dedicated to the Industry. 2013. Shopwork | + | Hans Op de Beeck. The Wilderness Inside: Location (6). Nicolas de Oliveira and Nicola Oxley. |
| + | TBD Catalog. Volum 9 Issue 24. Near Future Laboratory | ||
| - | Jimenez Lai. Citizens of No Place. An Architectural Graphic Novel, 2012. Princeton Architectural Press | + | Jean Baudrillard: |
| + | Speculative Everything. Design, Fiction, and Social Dreaming, by Anthony Dunne and Fiona Raby (2013). MIT Pres | ||
| + | |||
| + | Curious Rituals. Gestural Interaction in the Digital Everyday. Nicolas Nova, Katherine Miyake, Walton Chiu, Nancy Kwon (2012). | ||
| Atelier Van Lieshout. New Tribal Laybrinth. 2014. Tom Morton, Dominic van den Boogerd. FRAME Publishers | Atelier Van Lieshout. New Tribal Laybrinth. 2014. Tom Morton, Dominic van den Boogerd. FRAME Publishers | ||
| - | Curious Rituals. Gestural Interaction in the Digital Everyday. Nicolas Nova, Katherine Miyake, Walton Chiu, Nancy Kwon (2012). | + | Jimenez Lai. Citizens of No Place. An Architectural Graphic Novel, 2012. Princeton Architectural Press |
| + | El Ultimo Grito. Collapscapes. Dedicated to the Industry. 2013. Shopwork | ||
| - | Speculative Everything. Design, Fiction, and Social Dreaming, | + | VOLUME 13: Guilty Landscapes (2012).Co-authored |
| - | + | ||
| - | The Dark Mountain project | ||
| - | + | ===Articles/ | |
| - | Articles/ | + | |
| Tutto Potrebbe Cambiare. Interview between Marcel Mauer and Atelier Van Lieshout. Abitare, june 2012. | Tutto Potrebbe Cambiare. Interview between Marcel Mauer and Atelier Van Lieshout. Abitare, june 2012. | ||
| - | |||
| 3D-printed quilt of biological molecules is a trashumanist dystopia. By Liat Clark, WIRED. 24 juli 2013. | 3D-printed quilt of biological molecules is a trashumanist dystopia. By Liat Clark, WIRED. 24 juli 2013. | ||
| - | |||
| Out There / Neïl Beloufa’s Brave New World. Kevin McGarry, New York Times. December 13, 2011. | Out There / Neïl Beloufa’s Brave New World. Kevin McGarry, New York Times. December 13, 2011. | ||
| + | The Capital of Absurdia. Xijing Men. Olivier Krisher. ArtAsiaPacific. July/August 2012, Issue 79 | ||
| - | The Capital of Absurdia. Xijing Men. Olivier Krisher. ArtAsiaPacific. July/August 2012, Issue 79 | + | Heal The World. Sascha Pohflepp. Article posted on Blog: Blueprints for the Unknown: http:// |
| + | Synthetic Biology as Collective Fantasy. Christina Agapakis. Article posted on Blog: Blueprints for the Unknown: http:// | ||
| The sceptical futurist: A blog about how we might feel tomorrow. Stuart Candy | The sceptical futurist: A blog about how we might feel tomorrow. Stuart Candy | ||
| - | Wednesday, December 11, 2013: big shifts, small change. | + | Wednesday, December 11, 2013: big shifts, small change. Blogpost: http:// |
| - | Blogpost | + | |
| - | Tobias Revell, (2-12-2013). Overview | + | Geoff Manaugh: Designing Future Objects for the Home with Extrapolation Factory. Home of the Future blogpost, May 21, 2014: |
| - | Overview lecture: http://blog.tobiasrevell.com/2013/ | + | http://homeofthefuture.gizmodo.com/designing-future-objects-for-the-home-with-extrapolatio-1579708940 |
| - | Julian Bleecker - Design Fiction. A short essay on design, science, fact and fiction. (March 2009) | + | Claudia Aradau: The myth of preparedness. In Radical Philosophy. Philosophical journal of the independent Left. RP 161. May/Jun 2010 Commentary. |
| - | Nog iets voor Hans Op de Beeck | ||
| - | Boek Pieterjan Ginckels | ||
| - | Nelly Ben Hayoun | ||
| - | + | ====Kunst, design, architectuur en Future Thinking==== | |
| - | 2. Kunst, design, architectuur en Future Thinking | + | |
| Richard Noble (Ed). Utopias, 2009. Whitechapel: | Richard Noble (Ed). Utopias, 2009. Whitechapel: | ||
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| Morf. Tijdschrift voor vormgeving 15 – Toekomst (2011), Premsela | Morf. Tijdschrift voor vormgeving 15 – Toekomst (2011), Premsela | ||
| - | |||
| Feireiss, L. & Klanten R. (Eds.). Beyond Architecture: | Feireiss, L. & Klanten R. (Eds.). Beyond Architecture: | ||
| - | |||
| Lukas Feireiss. Utopia Forever. Visions of Architecture and Modernism, 2011. Gestalten Verlag | Lukas Feireiss. Utopia Forever. Visions of Architecture and Modernism, 2011. Gestalten Verlag | ||
| - | |||
| Rory Hyde. Future Practice: Conversations from the edge of Architecture, | Rory Hyde. Future Practice: Conversations from the edge of Architecture, | ||
| - | |||
| Shepard, M. (Ed.). Sentient City. Ubiquitous computing, architecture, | Shepard, M. (Ed.). Sentient City. Ubiquitous computing, architecture, | ||
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| Tony Fry. Becoming Human by Design (2012) | Tony Fry. Becoming Human by Design (2012) | ||
| - | |||
| Tony Fry. Design Futuring. Sustainability, | Tony Fry. Design Futuring. Sustainability, | ||
| - | Articles/ | + | ===Articles/ |
| David Graeber, Of flying cars and the declining rate of profit. In The Baffler No. 19, 2013 | David Graeber, Of flying cars and the declining rate of profit. In The Baffler No. 19, 2013 | ||
| Line 92: | Line 82: | ||
| Building Futures. The Future for Architects, RIBA, 2010 | Building Futures. The Future for Architects, RIBA, 2010 | ||
| - | = NESTA research report on the future of architectural practice | + | NESTA research report on the future of architectural practice |
| Summary: http:// | Summary: http:// | ||
| - | |||
| Noah Raford. From Design Fiction to Experiential Futures | Noah Raford. From Design Fiction to Experiential Futures | ||
| Laura Forlano (26 September, 2013). Ethnographies from the Future: What can ethnographers learn from science fiction and speculative design? In Ethnography Matters | Laura Forlano (26 September, 2013). Ethnographies from the Future: What can ethnographers learn from science fiction and speculative design? In Ethnography Matters | ||
| - | |||
| Carl DiSalvo, Spectacles and Tropes: Speculative Design and Contemporary Food Cultures. In The Fibreculture Journal, Issue 20, 2012. Networked Utopias and Speculative Futures. | Carl DiSalvo, Spectacles and Tropes: Speculative Design and Contemporary Food Cultures. In The Fibreculture Journal, Issue 20, 2012. Networked Utopias and Speculative Futures. | ||
| - | |||
| Martina Fineder & Thomas Geisler. Design Clinic’ Can Design heal the world? Scrutinising victor Papanek’s impact on today’s design agenda, 2011. | Martina Fineder & Thomas Geisler. Design Clinic’ Can Design heal the world? Scrutinising victor Papanek’s impact on today’s design agenda, 2011. | ||
| - | |||
| Anne-Marie Willis: (new) Design Fictions: have they got a future? | Anne-Marie Willis: (new) Design Fictions: have they got a future? | ||
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| Torie Bosch. Sci-Fi Writer Brue Sterling Explains the Intriguing New Concept of Design Fiction. March 2, 2012 on Slate | Torie Bosch. Sci-Fi Writer Brue Sterling Explains the Intriguing New Concept of Design Fiction. March 2, 2012 on Slate | ||
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| Scenarios and Design. Scoping the dialogue space for Oxford Futures Forum 2014 | Scenarios and Design. Scoping the dialogue space for Oxford Futures Forum 2014 | ||
| 5-12-13, Yasser Bhatti, Lucy Kimbell, Rafael Ramirez, and Cynthia Selin | 5-12-13, Yasser Bhatti, Lucy Kimbell, Rafael Ramirez, and Cynthia Selin | ||
| - | + | ====Algemeen Future Thinking==== | |
| - | + | ||
| - | 3. Algemeen Future Thinking | + | |
| Candy, S. The Futures of Everyday Life (2010) | Candy, S. The Futures of Everyday Life (2010) | ||
| A book about designing and staging experiential scenarios -- artifacts, interactions and situations that evoke a sense of immersion in the future. | A book about designing and staging experiential scenarios -- artifacts, interactions and situations that evoke a sense of immersion in the future. | ||
| - | |||
| Future of Futures (e-book) | Future of Futures (e-book) | ||
| Book published through the Association for Professional Futurists: | Book published through the Association for Professional Futurists: | ||
| - | |||
| Jaron Lanier. (2013). Who owns the future. Allen Lane | Jaron Lanier. (2013). Who owns the future. Allen Lane | ||
| - | |||
| Stevenson, M. (2011). An optimist’s Tour of the Future | Stevenson, M. (2011). An optimist’s Tour of the Future | ||
| Line 135: | Line 114: | ||
| Conclusion: change is going to happen rapidly, requires a re-boot of the mind (from thinking linear to exponential) points towards the need to continuously re-invent one-self and ask the right questions. Curiosity might be man’s best asset to cope with change. | Conclusion: change is going to happen rapidly, requires a re-boot of the mind (from thinking linear to exponential) points towards the need to continuously re-invent one-self and ask the right questions. Curiosity might be man’s best asset to cope with change. | ||
| - | Articles/ | + | ===Articles/ |
| How America’s Leading Science Fiction Authors Are Shaping Your Future. By Eileen Gunn. Smithsonian Magazine, May 2014 | How America’s Leading Science Fiction Authors Are Shaping Your Future. By Eileen Gunn. Smithsonian Magazine, May 2014 | ||
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| Google wants to make ‘science fiction’ a reality – and that’s limiting their imagination. By Robinson Meyer. The Atlantic, April 2014 | Google wants to make ‘science fiction’ a reality – and that’s limiting their imagination. By Robinson Meyer. The Atlantic, April 2014 | ||
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| Jessica Bland and Stian Westlake. Don’t stop thinking about tomorrow: a modest defence of futurology. NESTA paper, May 2013. | Jessica Bland and Stian Westlake. Don’t stop thinking about tomorrow: a modest defence of futurology. NESTA paper, May 2013. | ||
| key argument: This research navigates the myths and realities of good and bad futurology. Three maxims showing that thinking about the future in a structured way is not just useful, but essential. | key argument: This research navigates the myths and realities of good and bad futurology. Three maxims showing that thinking about the future in a structured way is not just useful, but essential. | ||
| - | |||
| The Guardian. Futurology: shining a bright, broader beam of light into the darkness. May 2013. | The Guardian. Futurology: shining a bright, broader beam of light into the darkness. May 2013. | ||
| Key argument: plead to open up thinking about future scenario’s from the probable to the possible. | Key argument: plead to open up thinking about future scenario’s from the probable to the possible. | ||
| - | |||
| Will Hutton. Driveless cars, pilotless planes … will there be any jobs left for a human being? In the Guardian, May 19, 2013 | Will Hutton. Driveless cars, pilotless planes … will there be any jobs left for a human being? In the Guardian, May 19, 2013 | ||
| Line 156: | Line 131: | ||
| The Guardian. Better Made up: does all innovation begin as SF? March 28, 2013 | The Guardian. Better Made up: does all innovation begin as SF? March 28, 2013 | ||
| key argument: article on the mutual influence of science fiction and innovation (not one-way direction). | key argument: article on the mutual influence of science fiction and innovation (not one-way direction). | ||
| - | |||
| The sceptical futurist: A blog about how we might feel tomorrow. Stuart Candy | The sceptical futurist: A blog about how we might feel tomorrow. Stuart Candy | ||
| Designing Futures. April 05, 2013 | Designing Futures. April 05, 2013 | ||
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| Welcome to the Future Nauseous, Venkatesh Rao, 9 may 2012 | Welcome to the Future Nauseous, Venkatesh Rao, 9 may 2012 | ||
| Key argument: We are not fully grasping the future in the present, and therefore, do not develop tools for continued future. | Key argument: We are not fully grasping the future in the present, and therefore, do not develop tools for continued future. | ||
| - | |||
| Noah Raford. Crowdsourced Futures | Noah Raford. Crowdsourced Futures | ||
| topic: effect of crowdsourcing, | topic: effect of crowdsourcing, | ||
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| Rachel Armstrong. The Future is Now – A Letter to Arup by Rachel Armstrong. 25 October 2011 | Rachel Armstrong. The Future is Now – A Letter to Arup by Rachel Armstrong. 25 October 2011 | ||
| - | 4. Other exhibition catalogues | + | ====Other exhibition catalogues==== |
| - | COMING SOON: Real Imaginary Futures 24 mei 2014 – 2 augustus 2014 | + | COMING SOON: Real Imaginary Futures 24 mei 2014 – 2 augustus 2014 Bureau Europa |
| - | Bureau Europa | + | |
| + | DEAF Festival. The Progress Trap, 21 mei 2014 – 9 juni 2014 Het Nieuw Instituut | ||
| - | DEAF Festival | + | Blueprints for the unknown, 21-24 mei 2014 V2 Institute |
| - | The Progress Trap, 21 mei 2014 – 9 juni 2014 | + | |
| - | Het Nieuw Instituut | + | |
| - | + | ||
| - | + | ||
| - | Blueprints for the unknown, 21-24 mei 2014 | + | |
| - | V2 Institute | + | |
| - | Perspectives on Imaginary Futures - 24. May - 22. June 2014 | + | Perspectives on Imaginary Futures - 24. May - 22. June 2014 Haus für elektronische Künste Basel |
| - | Haus für elektronische Künste Basel | + | |
| - | Natlab, Eindhoven – Age of Wonder Festival – 28-30 maart 2014 | + | Natlab, Eindhoven – Age of Wonder Festival – 28-30 maart 2014 http:// |
| - | http:// | + | |
| - | Yerba Buena Center for the Arts – Dissident Futures | + | Yerba Buena Center for the Arts – Dissident Futures. Oct 18, 2013–Feb 2, 2014 |
| - | Oct 18, 2013–Feb 2, 2014 | + | |
| - | La biennale de lyon 2013: entre temps … brusquement, | + | La biennale de lyon 2013: entre temps … brusquement, |
| - | http:// | + | |
| Line 206: | Line 167: | ||
| - | Past Futures, Present Futures – Oct 5 – Jan 12, 2013 | + | Past Futures, Present Futures – Oct 5 – Jan 12, 2013 Storefront for Art and Architecture. |
| - | http:// | + | |
| - | Storefront for Art and Architecture | + | |
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| Atlas of the Unbuilt World – 7-27 juni 2013. The Bartlett School of Architecture, | Atlas of the Unbuilt World – 7-27 juni 2013. The Bartlett School of Architecture, | ||
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| Matrix City. Festival Impact 2010 – 13 – 17 oktober 2010. | Matrix City. Festival Impact 2010 – 13 – 17 oktober 2010. | ||
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| + | Forecasts from the Future. 18.07.2014 – 05.10.2014. Dublin Science Gallery. | ||