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| resilients:artists_in_transience [2013-02-08 08:25] – maja | resilients:artists_in_transience [2013-02-13 22:25] (current) – alkan | ||
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| - | + | ====Artists | |
| - | === Artists' | + | |
| by Dougald Hine | by Dougald Hine | ||
| - | + | < | |
| - | < | + | |
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| - | http:// | + | |
| < | < | ||
| < | < | ||
| + | * [[Words Which Matter to People]], Dougald' | ||
| + | * [[dougald_hine_interview|Dougald Hine in conversation with Shelbatra Jashari]] towards the end of his journey, in Rab, Croatia | ||
| + | * The Dark Mountain Project blog: http:// | ||
| - | + | ===Journeyers and Guilds=== | |
| - | === Journeyers and Guilds === | + | |
| In the guilds of the middle ages, a journeyman was someone who had completed his apprenticeship and was competent in his craft, but had not yet risen to the level of master. The word could be misleading – “journey” is actually “journée”, | In the guilds of the middle ages, a journeyman was someone who had completed his apprenticeship and was competent in his craft, but had not yet risen to the level of master. The word could be misleading – “journey” is actually “journée”, | ||
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| This invitation led to more questions than answers: what do we mean when we use the word “resilience”? | This invitation led to more questions than answers: what do we mean when we use the word “resilience”? | ||
| - | === Culture and Resilience === | + | ===Culture and Resilience=== |
| Within the range of possibilities these questions offered, I chose to focus on what I have tended to call deep cultural resilience. As a starting point, I wrote, perhaps resilience is best understood as the capacity to endure. | Within the range of possibilities these questions offered, I chose to focus on what I have tended to call deep cultural resilience. As a starting point, I wrote, perhaps resilience is best understood as the capacity to endure. | ||
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| I am particularly interested in the role that culture plays in this: culture in the narrow sense of the arts – because I suspect that those who have dedicated their lives to their creative work have useful lessons for how we make a good job of living through difficult times – but also culture in the broader anthropological sense, the ways of being and doing and seeing which give shape to life in a particular place and time. | I am particularly interested in the role that culture plays in this: culture in the narrow sense of the arts – because I suspect that those who have dedicated their lives to their creative work have useful lessons for how we make a good job of living through difficult times – but also culture in the broader anthropological sense, the ways of being and doing and seeing which give shape to life in a particular place and time. | ||
| - | === The Journey === | + | ===The Journey=== |
| I set off from Stockholm on the evening of 8 July, 2012. | I set off from Stockholm on the evening of 8 July, 2012. | ||
| For the first two weeks, I travelled fast: visiting people and projects that had been on my mind, recording the traces of the journey and the chance encounters to which it led. After that, I slowed down, spending time with groups of friends and collaborators, | For the first two weeks, I travelled fast: visiting people and projects that had been on my mind, recording the traces of the journey and the chance encounters to which it led. After that, I slowed down, spending time with groups of friends and collaborators, | ||
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| - | Dougald' | ||
| More about this journey can be found on Dougald' | More about this journey can be found on Dougald' | ||
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| - | [[dougald_hine_interview|Shelbatra Jashari in conversation with Dougald]] towards the end of his journey, on Rab, Croatia. | ||
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